Week 4 on Sketchbook Skool put us in the able, chirpy hands of Lynne Chapman, an Urban Sketcher and professional illustrator. We went on a walk to watch her sketch on the pavement, and we spent a lot of time in her gorgeous, custom-built studio, hearing her talk about art materials, the tricks she plays to get past creative blocks, or to make something good about a sketch gone…not ‘bad’, but just not quite the way she wanted it to. She shares all of the good Sketchbook Skool tips, plus much more, on her website, An Illustrator’s Life For Me
But what really delighted me the most was her use of the accordion sketchbook. Now, as a bookbinder, I make the accordion format quite often. I teach it to my students, and have even made a diagram for how to fold a strip into 8 parts without measuring each section, here.
But it was a “slap-your-forehead- and-holler” moment when I saw her use the full potential of the accordion sketchbook by recording on its unfurling pages such things as the passage of time. A story. A process. A journey, or a long panoramic view.
WHY DID I NEVER THINK TO USE THEM THIS WAY? I’m flabbergasted by my lack of imagination. I might fold a strip of paper, fully 1 metre long, down into a book with 14 pages (8 on the front, 6 if you count the back and add covers), and then I will boringly see each page separately, as one does a regular book…thereby squandering all the delicious potential that lies in a 1 metre long picture that collapes down to a compact size. Good grief.
So our homework for Lynne’s class was to construct an accordion book, and fill it. I did a 180° view of the inside of my room on the boat. The perspectives just about did my head in, because the roof of the wheelhouse slopes to either side, and the walls lean inward. I got as far as 6 pages of the 8, then gave up, because I’d added colour and realised that I liked the drawing better when it was just orange linework. I might finish the drawing this weekend, but won’t colour the last two pages in (because I don’t keep a sketchbook in order to slog through chores, what would be the point?)
I can see all sorts of projects, now, that I would love to make as accordion books. The invitation to PLAY on a river of paper that just keeps going and going is SO EXCITING! Lynne shared a lot of things with us in the week, but for me this one was the keeper.