We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
excerpt from Little Gidding, T.S. Eliot
I went away for two years, to marvel at vine-hung jungles up muddy rivers, at tepuys rising like wizards fortresses out of a sea of greenery, at waterfalls so high that half the water had blown away on the wind before a drop reached the ground where I stood. I clung to mules as we descended near-vertical mountain paths in the Andes. I bedded down for the night in bus stations, in traveller’s inns that felt like army barracks, in 18th century mansions filled with antiques, and in a crash pad in New York—eight Latin Americans in one room, of whom one spoke English.
I stayed with locals in disparate settings of 18th century charm, or 18th century poverty…in a clapboard house sinking into the squishy mud on the edge of a filthy canal, in a house in the old slave quarters of a medieval city, where the young prostitutes drank and argued on the old cobblestones, and I spent one night in a communist-style block of Cuban apartments where the water and electricity came on for a few hours each day, but every resident owned an instrument and the building twitched its hips to salsa music, morning till midnight.
Naturally, when the time came to return home, I was a little worried that life in Darwin, Australia, would seem poorer for all the places I’d been.
I needn’t have worried.
As the old cliché goes, “There’s no place like home.” Back up the creek on our houseboat, SonOfAGun, the mangroves swayed in the sea wind, and morning sunlight lay slick on green-gold water like fine olive oil. For many months I was utterly spellbound.
When Kris and I moved our boat to this spot, I loved it right off the bat: the solitude, the natural surroundings, the quality of the light, the chi of living surrounded by water. I didn’t think it was possible to love this place any more, until I came back from my wandering and found that I did.
“Paradise Found” was made for the exhibition “Gypsies, Vagabonds, and Wild Mad Women”. I priced it to discourage anyone from buying it and, luckily, no one did. I’m glad, because I want to live with this one for a while. It’s the beginning of what I suspect may be a bunch of love letters to my home and my life.
It’s composed of watercolours, acrylics, collaged papers (linocut, textured or painted beforehand) and a bit of colored pencil. I’ve just uploaded the image to my Society6 shop, so it’s now available as a fine art print on acid-free rag paper.