art + design, Inspirations

Jennifer Orkin Lewis, via Lisa Congdon

7.1 & 2 by Jennifer Orkin Lewis

Jennifer Orkin Lewis’s Daily Sketchbook Paintings…oh, to do something like this on my travels! Or even just to do something like this, at home, every single day, without losing the plot or getting distracted, or letting laziness take over!

What a fabulous journal she’s got! I drool over every page. In an interview with Lisa Congdon of Today is Going to be Awesome,  Jennifer says that she spends just thirty minutes on each page. Thirty minutes! I look at any one of her journal pages, and I know I would struggle to do it within two hours. But maybe that’s because I don’t paint a journal page every single day. Duh.

These 365-day projects, though I admire them like crazy in others, have just never worked out for me…my good intentions and initial enthusiasm about a project are built on such weak foundations. Oh, well, that’s not quite accurate, I have managed to make a pot of coffee every morning for the past 16 years of my life, or something like that. (Now that’s something to think about…perspective shift! Convince self that art is coffee, and that I will kill someone if I don’t do it! LOL)

*sigh* You know I only posted this to satisfy a preposterous inner need, right now, to be Jennifer Orkin Lewis…as though sharing someone’s amazing work will allow a little bit of the achievement to rub off on me…vicarious blogging. It’s lame. :)

Daily Sketchbook Paintings 7.1-20 | August Wren.

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paints and pens, stuff i've made

Pinkland + Spirographs in acrylic

caramel caravel2

Day Two of this painting. Still very much a Work In Progress. And yes, it is very pink, isn’t it? Maybe it should be called “Portuguese Arriving to Sack Electric Ladyland”. I had a lot of fun when I started, which is why so much got done in just two days. But I sort of hit a wall this afternoon, and now I don’t know what to do with it.

As usual, I like parts of what I’ve done…but not the painting as a whole. Not sure what’s bugging me about it, but I suspect the whole painting should be flipped to its mirror image, so that the boat is entering the scene from the left (forget about it, easier to paint a new painting!) Also, I think the sea should be a reddish purple (I thought of Homer’s “wine-dark sea”) and the ship should be something really goofy…not just some dwarf version of a real caravel…

…but god, I am so tired of wrestling with it—it measures 2′ x 3′ and I have been standing in front of it all day—and I don’t know if I will ever get around to making such big changes. Right now, I can’t LOOK at it any longer, I am so tired of staring at it that it all dissolves into puddles of colorful mud when I try. I think I’ll just turn it to face the wall for a while, and see what I think of it in a week or two.

caramel caravel1

I did learn something new, exciting and funky on this painting: A fine-tipped Posca paint marker (1-MR) will fit in the holes of a Spirograph! This means a lot to me. At last, I can use my Spirograph with more than black drawing pens or ballpoints! I am besotted with Posca pens, anyway, because they are water-based acrylic paint pens, and they draw a rich, opaque line, and they glide over any surface like an oil slick; knowing I can use them to draw Spirographs just means that I love them more than ever.

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paints and pens, stuff i've made

Lace on the skin

A Night in MoroccoInspired by North African henna deigns, I put paint in a fine-tipped squeeze bottle and applied it to a painting of hands in exactly the same way that one would apply real henna. then I stamped the dark blue background in gold acrylics with a small hand-carved wooden printing block from India, and picked out the petal shapes in a lighter perriwinkle blue. So simple and quick, but very satisfying. I love intricate ornamental patterns. Very happy with this finished painting: romantic, feminine and it looks like lace from across the room.

All in all, a good way to have spent the day! :)

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I love abstract painting…probably because it is so much harder to do well, because there is nothing familiar, recognisable to comfort the viewer or fool her into thinking that she understands anything about the work or the artist behind the work.

It is paint dancing on its own, when paint is not being coerced into parading as something else…like a tree, or Magritte’s treacherous image of a pipe that is not a pipe (because, hello, it is paint). I’m still amazed when I meet people who will discuss a painting of something as though it is that thing, and not a skin of paint dried on canvas. Reminds me of the simple folks in the Philippines who would throw drink cans and rubbish at a movie screen when the bad guy appeared…

“I’m very interested in when something coalesces, so when something that could feel random and chaotic stops feeling like that and feels balanced, and at ease with itself, when it stops being cacophony and starts being rhythm and music…”

I’m very interested in that, too. Counting the days till the Mermaid I work for comes back…

Exhibits, journaling + mail art, mixed media, paints and pens, stuff i've made

The Art of Tea Exhibition is on this weekend

Tactile Arts Exhibition: The Art of Tea

Tactile Arts Contemporary Craft Studios & Gallery
19 Conacher St., Fannie Bay, Darwin, NT
Opening 10:30 AM on Saturday, May 3rd
Runs till May 25 2014

Tactile Arts comprises dozens of talented craftspeople and artists working in glass, ceramics, textiles, jewelry, and anything else you can name, so if you love tea motifs you’re sure to find something delightful at this themed exhibition. These are what I’ve put in:

tea journals

gold roses tea cup

albatross tea  cup

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Online Shops, paints and pens, stuff i've made

Craft-bottomed girls, get on your bikes and ride!

A girly retro pink bicycle, resplendent with wire baskets and crocheted doily wheels—don’t snigger, this is actually a pretty accurate representation of the bicycle I still ride…only mine’s red and named Ruby Belle—sets off (on her own, because I wasn’t confident enough to paint a rider!) to have an adventure some place exotic and fabulous!

Just posted this in my Society6 shop today.

Art is afoot…society6 has added rugs to their list of products.

The original was painted some years ago, and disappeared en route to Germany by post. Luckily, I took high-res pictures.

 

Handmade journals with this design are coming, too…no, not on Society6! I mean my own handmade and bound journals, covered in beautiful linen-cotton canvas (as soon as I get my Spoonflower fabric…I’M SO EXCITED!). Stay tuned!

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paints and pens, stuff i've made

A vintage cosmetic travel case, tarted up.

Jacobean case

There’s been a lot of interest in the fabric. It’s P. kaufmann’s “Brissac”…also available in the colourway ‘sea glass’. GORGEOUS stuff.

So here’s what I did with my time yesterday: I have been meaning to tackle this project ever since Kris found this vintage cosmetic travel case at the dump a few years ago.

It was very dirty and discolored, but structurally still perfect, and it took hardly any time at all to wipe the leather down with methylated spirits, give the case 3 or 4 coats of matte pastel green acrylic primer, and then paint some crazy Jacobean flowers on the lid. I lifted the flower designs from a gorgeous piece of upholstery fabric in my stash, thinking I would line the inside of the case with it, and the lid would match. Not so sure about that plan, now…at $70 a metre, it’s the most expensive fabric I own, and  I’m reluctant to use it on just anything. We’ll see.

I finally fixed the case up because I need something to hold my greeting cards at craft markets, and after toying with various DIY card rack and display stand ideas, thought it would be simpler (and cuter) to just stand all the cards in this little lockable case.

Jacobean case

Jacobean case

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I experience a visceral delight whenever I see anything made by mad genius Jesse Reno. A real “Artist’s Artist”, and one of my absolute favorites, he is often grouped with the Outsider Art (a.k.a. Art Brut) movement, an artistic environment I find compelling, irresistible, alive and of-the-moment. Abstract narratives. Contemporary primitivism. A large and strong dictionary of symbols and icons that come together to form maps of Reno’s wisdom and experiences. Unapologetically personal and confrontational and courageous.

In addition to being a brilliant painter, Jesse composed, recorded, and produced all the music.

This video is over 20 minutes long, though I always find myself wishing it would go on forever. I could spend the rest of my life just watching Jesse paint. Every one of his books is a must-have.