embroidery and textiles, made with paper

Tea with Lady Lavender

tea

Hello, sorry It’s been so quiet on here. I’ve been quite busy making stuff…just didn’t remember to take pictures of anything I was doing, hence nothing to show you or blog about.

Yesterday I started working on a series of mixed media journal covers because I visited my own ETSY shop a few weeks ago, and things were looking very, very lonely and neglected. I am trying to get back into bookbinding now, because I have a dozen or so text blocks of beautiful paper all bound and ready for covers. The covers are always the hardest part (but also the most fun) because I don’t like to repeat myself, and I tend to get stuck for a long time, fiddling with tiny details on every single one.

The subject of this batch of journal covers is tea time; this one’s predominantly lavender. The base is painted artist’s canvas. I’ve used various papers—tea stained pages for the tea cup, and my own marbled paper for the tea, some gift tissue—and bits of fabric. Machine as well as hand stitching. Acrylic paints (and some dimensional glitter paint), acrylic inks, and some shading with colored pencils.

tea

tea

What have you been tinkering with lately?

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bookbinding, stuff i've made

Light an old flame…

Spark something

1. Untitled, 2. City of Light (907), 3. Gorgons Head, 2003, 4. Twist and Shout, 2007-, 5. Royal Purple journal, 6. book 910 – 5, 7. Buggery: Beetles on books, 8. Sailing the night ocean, 9. postcards from the archipelago : sea monster attacks black ship…, 10. Untitled, 11. Cup o’ Lovin’, 12. Pterynotus bednalli miniature book(1 inch x 1 inch), 13. Miniature book (Simplified Codex), 14. the finished book…, 15. NON-PAREIL I, 2003, 16. “Gladiolus Rag” (Book 885), 17. Fauve Sunset, 18. Spider Lily (detail of embroidery), 19. Langstich und kettenstich, 20. Recent journals 1, 21. SCALLOP Amulet Book, 2004, 22. Closeup of a recent journal I made, 23. Only the Pure of Heart…, 24. Sorceress of Serendip, 25. 891, 26. Crazy Circus Chair, 27. heart shaped doily doodle…, 28. Lagooned in Gold, 29. Pilar’s Journal, 30. 895, 31. headbands, 32. Moroccan Diamonds, 33. caramel (no.906), 34. puff (no. 908), 35. Relax: Robyn’s Journal, 36. 904 : : Pink hippies

I feel pretty lousy for neglecting bookbinding. Well, that’s not the only activity I pretty much dropped when I became obsessed with learning to paint…I haven’t embroidered anything for ages, either! I’ve got to find a balance between this new painting bug, and everything else.

In an attempt to rekindle my bookbinding flame I was looking at my Flickr bookbinding set this evening. Seeing all these very different journal and book covers—particularly the old ones that I’d forgotten about—made me happy and sad. Most of these books are with other people, now, and it’s a bit like looking at a photo album of children who grew up and moved away. On impulse I made a mosaic of a few of them—fd’s flickr toys only allows 36 thumbnails so I’ve had to choose from among so many journals, and probably chose older ones simply because I haven’t seen them in so long, it’s like they’re new to me again.

I’ve got one day left to stay home and do something creative…what do you think I should work on: embroidery? Bookbinding? :)

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art + design, Creative Travel Journal, Inspirations, projects, travel

Designing a creative travel journal, part 1

1-4 memento travel journal

I am doing an online course at the moment, via the coursera.org website. It’s called Design: Creation of Artifacts in Society, and is being given by Karl T. Ulrich of  the University of Pennsylvania.

Each student was asked to identify several “gaps” in personal life that seemed to cry out for some sort of design solution, and then pick one to work on for the 8-week course. We’re just about to start the third week, but I’ve already had to produce three schematic drawings, one physical prototype, and gather data via research and interviews to come up with 30+ user needs for my ‘product’! So yes, very busy, when you throw in the day job and real life! But I love the opportunity that the course gives me to work within the realm of my skills, yet provides new tools with which to expand that realm.

I decided to make some sort of journal/repository for creative travelers…an object I’d very much like for myself, but parts of which I thought might be incorporated into the hand-bound journals I sell in my shop, as well.
Travel journals need to be so much more than books with pages for writing. A traveler needs a place for important information, checklists and itineraries; needs somewhere to keep photographs, stamps and postcards, and a place for small objects like charms, seashells, pressed leaves, bottle caps, or “those bracelets from discos when you hook up with a guy,” as one of my interviewed users suggested.  There’s more than writing to be done on the pages, too—there’s sketching and art-making to take into account. Maps and travel routes. Quick access to useful foreign language phrases. Addresses and numbers of the people you meet, the shops where you found the best bargains (you think you’ll remember, but you won’t…write it down, or keep their business card!), and so on.

I’ve looked at a few commercially produced travel journals on the market…Moleskine’s Passions and City Notebooks, Nomad, Clairefontaine and Habana journals…

prototype 1.4 scaled03

Prototype 1.1 was pretty simple…after all, we hadn’t been taught anything yet in the first week! Ulrich just wanted to see what we’d come up with, initially. I used cardboard, brown paper, old magazine pages and duct tape to make a modified Limp Binding book, with pockets (mail envelopes) inside the covers, a pocket on the back of the book (for a set of aquarelle pencils or watercolours), and besides standard pages, stitched in an accordion book, some pockets with mylar ‘windows’ for photographs, and a small pamphlet-stitched notebook that can be pulled out and used separately from the main book.
prototype 1.4 scaled04

I had a hundred ideas for making the journal ever-more-fabulous as I stitched up this prototype…but anyone who’s been to uni learns NEVER to pour all of their brilliant ideas into the first prototype…what’ll you do for the rest of the 8-week course?
prototype 1.4 scaled06

Don’t go giving those professors the idea that you’re some kind of wunderkind, or they’ll expect you to build an iPad from scratch for the next prototype! Keep pace with the syllabus, pretend to make slow but steady progress under your professor’s gentle guidance—that idyllic, fairytale model of learning, so beloved of experts in education—and help create a warm and fuzzy feeling in the academe by reinforcing stereotypes of “The Mind: How It Works”. ;)
prototype 1.4 scaled07

Truth is (at least for me) that prototypes become obsolete long before I’ve finished them because while I’m waiting for things like glue to dry, my mind has raced ahead to assemble, use, disassemble, and improve the next three or four versions of the thing. You’ll often find me, coffee cup and cigarette in hands, staring into space, and you’ll think I’m spacing out, but what I’m really doing is building something, one step at a time, in my mind. Most of my design solutions are manufactured and tested in the lab behind my eyes. It’s cheap and saves time.

I’ve already put together a list of 30+ user needs for my proposed “ultimate travel journal”, but if you are the sort of person who keeps a creative journal while traveling, I’d love to hear your own ideas of what such a journal would have to include to make it your favorite. Just wondering whether I’ve overlooked anything. I’ll show you my own list of 30+ User Needs tomorrow…

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blogs and sites, craftiness, Inspirations

Fancy wooden journals by Kris

East Timorese man & woman carvings on merbau, with barramundi fish leather spines

Kris has written another book called Out of Census (his fourth! And I’m convinced it’s his best! More about that in the week) and we are throwing the official launch party on the 1st of February at the Darwin Visual Arts Association (although actual copies of the book are going to start circulating tomorrow…he’s sitting across from me, stitching signatures, as I type this!)

The launch will take place alongside an exhibition called “Publish, and Be Damned”, all about the joys, pains, and craziness of self-publishing, and of the world of books in general.  Kris has done a whole bunch of pen and inks that center on the theme of the writer and his muse, and is binding some very one-off journals, as well. A diverse gang of our creative friends will be participating in the show as Kris’ guests…I will try and do something along the lines of bookbinding and printing, too, if I manage to pull myself together in time.

The figures on the covers in the top photo are a traditional man and woman pair of carvings that we bought several of when we were in Dilli, East Timor for 2 months. They are carved from a single thick branch, and when we bought them, they were joined together by a short length of braided raffia. The leather on the spines of both books is tanned barramundi fish skin.

Here are some of the other journals Kris has made for the show:

wooden journals: mandala and dragonfly

Mandala and dragonfly wooden journals (above), made from ipil or merbau (Intsia bijuga).

Above and below: A book bound to fit the shape of a very large pair of oyster shells. Mother of pearl and barramundi spine.

And if you think these are different, well, you ain’t seen nothin’ yet!

via Kris’ post Fancy books.

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