Week 17 ✂ Wheatear Stitch (TAST 2012)

Wheatear Stitch (TAST 2012)

This week’s stitch was Wheatear Stitch.

I’ve done a small, no-frills sample on a piece of fabric patchwork that is going to become a blank journal’s cover. Not very spectacular, but it gives a nice spot of hand-stitched detail to the otherwise machine-stitched patchwork. The book’s just mocked-up, in these pictures…haven’t turned the patchwork into a case, yet.

Wheatear Stitch (TAST 2012)

- – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂ – – – ✂

This small embroidery sample is for Sharon Boggon’s Take a Stitch Tuesday 2012 Challenge

hmm…marooned in gold?

Great.

What do you do to a painting after you’ve ladled the gold on like a rococo wet dream?

Oh boy, now I’m stuck.
For better, for worse, I think it’s best to leave this journal, while I still can. I could go on trying to improve it for another day, but am afraid I’ll overdo it, and make things worse. More important than knowing how to do something is knowing when to stop. Capitulate.

And sure, I’m calling this journal Lagooned in Gold…why not? Yesterday’s poem ended up influencing how I treated the background, so it may as well christen the book, too. Go ahead, blame everything on Edith Wharton, she can take it.

Sun’s going down. I’m going on deck to see if I can confuse landing aircraft with my journal cover…

bookbinding : : The City of Light

Played with my sewing machine today, and used the bright, layered fabric I had made on a journal cover. It’s great to do things in the spirit of fun, but still end up with something that I’m happy with and can use in my work! Feels good to be productive without really putting pressure on myself to produce.

The City of Light was inspired by—naturellement!Paris; by the cabaret, by visions of whirling boulevards and sparkling laughter spilling out of nightclubs…by la jeune fille élégante aux cheveux rouges, the magic of a glittering metropolis at night, every light an iridescent sequin flashing. And by the poetry of T.S. Eliot and this excerpt from The Bistro Styx by Rita Dove

…Fruit and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème. “This Camembert’s
so ripe,” she joked, “it’s practically grown hair,”
mucking a golden glob complete with parsley sprig
onto a heel of bread. Nothing seemed to fill
her up: She swallowed, sliced into a pear,
speared each tear-shaped lavaliere
and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted
vines and sun poured down out of the south.
“But are you happy?” Fearing, I whispered it
quickly. “What? You know, Mother”—
she bit into the starry rose of a fig—
“one really should try the fruit here.”
I’ve lost her, I thought, and called for the bill.
*******************
Book no. 907 is in my online shops


bookbinding : : blackwork on leather

I made a journal yesterday that totally indulged and satisfied my obsessive compulsive idiosyncrasies…using a blackwork pattern drawn onto grid paper to prick holes into the leather journal cover before sewing. It’s a simple limp binding, but preparing and working the cover took up most of the day.
I think this is the reason I also work blackwork embroidery on paper, on wood, on painted canvas, and on Moleskine cahiers—anything but on the grid-marked fabric that it is traditionally worked on: I like the insane, time-consuming, meditative job of making my own grid by hand. :)

120 leaves (240 pages) of heavy (120gsm.) white Tintoretto paper, with a slight felt texture. Acid- and ECF-free. Journal measures 5 1/4″ x 7 1/2″ x 1 3/4″ (135mm x 190mm x 45mm), and the adhesive-free limp binding is designed to accommodate a slight adding-on to the pages such as photos, collaged papers, glued-in ephemera.
This journal, Caramel (no. 906), is in my Madeit and ETSY shops today.

bookbinding : : pink hippies

Pink hippies is my 904th handbound journal; an original and one of a kind book inspired by pink lillies, Hippeastrum puniceum,…I used to have hundreds growing in my garden in El Nido, Palawan, and they were a favorite subject for my drawings and paintings.

This is a flat back, case-bound book that opens flat at any point. It measures H6 5/8″ x W4 3/4″ x 1 1/2″ (170mm x 120mm x 40mm)

Paper is Edición avorio 110gsm, acid-free, in ivory, unlined. It is a beautiful paper for writing, sketching, drawing, and other dry media. There are 200 leaves (400 pages) so it is a chunky book, but will fit in your shoulder bag. Endpages are handmade paste paper sheets made using old sailing charts.

The cover is of acrylic paints on artist’s canvas. It has been protected with Soluvar artist’s varnish, which waterprooofs it and protects it from stains.

Pink hippies has a stripey handsewn headband in variegated shades of yellow-orange and coral-pink.

Available in my ETSY and Madeit online craft shops.

handgeweorc : : leading the soul camel home

Camel

It has been five days since I returned to Darwin after a month-long visit with family and friends in Manila, and only today do I feel comfortable with being back home and taking up residence within my old life again.

The first two days were something out of Dante’s Purgatorio…I was using the words ‘lost’ and ‘disoriented’ repeatedly, to describe the way I was feeling. Often these words were accompanied by a strong urge to cry. During the daytime I wanted nothing more than to sleep the time away…sleep as though dead; but at night I would fidget and squirm next to my husband, complaining of restlessness and imaginary discomforts.

“Oh, jet lag!” the modern world would diagnose, and prescribe pills or a bizarre schedule of waking and sleep that involved long walks, alcohol, and caffeine. But jet lag (extreme tiredness and other physical effects felt by a person after a long flight across several time zones) just doesn’t manage to explain away the full range of ‘effects’ experienced by someone who has just traveled, over the space of a few hours, from a Third-World Asian megalopolis like Manila, to the relatively sparsely populated, big empty streets of a small-scale city like Darwin in Australia…with the total time difference comprising a mere hour and a half.

Neither is culture shock (the feeling of disorientation experienced by someone who is suddenly subjected to an unfamiliar culture, way of life, or set of attitudes) to blame when, as now, the traveler is having difficulties assimilating the details of her own home environment!

What has really been going on? The way I see it, I was traveling too fast this time, and my soul was left behind. In Singapore, actually.

Life is so short, we must move very slowly.
—Thai proverb

I have hardly ever traveled by plane. This recent Darwin-Manila (and back again) trip has required my first international flights since 1979, when my parents took me, aged 5, to the USA. Otherwise, Kris and I pretty much travel overland on foot or by bicycle…further afield, we go by bus or car; we move between neighbouring islands by row boat, pump boat or ferry, and between neighbouring countries by sailboat. The few times I boarded a small plane for a domestic flight I experienced a confusion and disruption similar to (but only for a few hours…a day, at the most) my recent condition.

In his books, essays and interviews on the subject of modern travel, Alain de Botton explains:

“There used to be time to arrive…time to get used to the idea of being in a place…nowadays, people constantly get to their destinations too quickly…arriving in Mumbai or Rio, Auckland or Montego Bay, only hours after leaving home, their slight sickness and bewilderment lending credence to the old Arabic saying that the soul invariably travels at the speed of a camel.”

My soul arrives at the speed of a camel…(may as well be a camel, then, eh? Why not? A Soul Camel) to which ancient wisdom I would like to add that, according to my grandmother, the Soul—like a small child—is easily lured away from its familiar (hence boring) body by all things new and unexplored…charming little colonial streets, marketplace tchotchkes, the beckoning wonders of a foreign land. What am I saying? I’m saying that when I took the train into the city of Singapore and got off at Bugis Station, my soul took one look at those little shops with marzipan mouldings in pastel colors, and parks full of modern sculptures, and went off to explore the place on its own…taking all of five days to catch up with me in Darwin.

Makes perfect sense. Explains a whole bunch of things that neither jet lag nor culture shock can. Alain de Botton (sort of) concurs…and that’s always a good sign. What is more, my grandmother moved through her life with the purpose and authority of a military commander—looking much less lost, insecure, and confused than a lot of so-called rational and scientific people I have met—so why wouldn’t I take her word over theirs?

What to do till the camel comes home…

Don’t fret, for it will catch up. In the meantime, don’t make too many demands on yourself…accept that you’re not quite arrived yet—not all of you, anyway—so you can’t expect to snap perfectly into your old life like a piece of Lego.

Go slowly, be patient with yourself and others, find activities that you can work on quietly and in solitude.

Activities that ground you, similar to the ones witches recommend after working a major spell or raising a cone of power, are good: gentle housework or manual tasks like sprucing up the pot plants, weeding a patch of garden, doing dishes, folding dry clothes, or an easy craft that you know well and won’t have to think too much about…anything that you can do without having to make big decisions or come up with creative solutions, can help ground you.

Such actions connect you to the physical reality of where you are; they help build mini routines, that in turn help to re-establish the bigger routines that made up your life before you went traveling. Routines are firm shells that enclose and delineate space, so that your soul camel—with its creativity and passion and expressive fluidity—can feel safe to check in, unpack, and then jump on the unmade bed until dinnertime.

I planted one packet of marigold seeds and pruned the basil………I brushed the cat for an hour each day………I did the laundry………I brought my bicycle back up to snuff (replaced two broken spokes and trued the rear wheel, changed one tube, cleaned the gears, removed a troublesome mudguard)………

I started on a journal. I worked slowly. On Tuesday I stitched the paper and wooden covers into a coptic binding. Yesterday I played with a few headband ideas that didn’t work out. No matter. I undid everything and went at it from another direction.

This morning I think my soul camel finally arrived—every hairy, harrumphing inch of it—for I was suddenly vacuum-sucked out of my lethargic and bewildered state, into an absolute frenzy for everything I was doing before I left Oz in early March…embroidery, bookbinding, writing, mail art, visual journal pages, reading, working out, designing things, drawing, gardening…oh my god, I want a finger in all these pies, and a lifetime of plums!

I’m back. We’re back. How’ve you all been? ◊

Crazy Circus Chair (Book 902, and already gone!)

Remember this?

I love old chairs, especially the leather ones with deep wings and curly legs…but instead of the standard upholstery, I like to dress my dream chairs up in glossy red leather and stripey gold and pink silk brocade—inspired by gypsy circus tents, Tim Burton, goth-queen ballgowns, and Angela Carter’s “The Infernal Desire Machines of Dr. Hoffman”! I made this painting a couple of months ago, but finally made up a journal with it, which was the plan all along, last Monday (or thereabouts).

I put the finished journal in my online shops the following day, and this morning woke up to find that it had sold to a long time Flickr contact of mine—the amazing photographer and artist salbug00! Yay!

I’m thrilled that she liked it enough to brave the steep postage and shipping fees (did you know that the U.S. Customs asks a US$ 9.00 surcharge for any parcel that is over 500 grams (1.10 lb.)…it’s bad enough Australia Post’s International Shipping fees are highway robbery, but with this U.S. tariff on top, salbug00 may be the last North American buyer I will ever see!

It went soooo quickly, but I thought I’d post pictures of it here, just to say “Hey, look what I made!” Yes, folks, the Crazy Circus Chair Journal was here, briefly.

May it bring joy and offer a quiet place of solace and refuge to its new owner.

Doodling doilies…

The minute I heard my first love story
I started looking for you, not knowing
how blind that was.

Lovers don’t finally meet somewhere.
They’re in each other all along.

—Jalal al din Rumi, ca. 13th century

Give me some white encre de Chine ink and a dip pen with a fine steel mapping nib; pour me a cup of black coffee (*thank you, my darling*), then shut the door to my studio softly…and I will very happily doodle bits of lace and doily loveliness for the rest of the day. I love this sort of mindless doodling…a dozen loops, a picot, a scallop or three…

I can still sort of remember how to crochet, but don’t feel the urge to take it up again—it never really made an impression on me; I love the look and feel of doilies and crocheted lace, though, as love drawing these bits of fiddly finery.

This is a ‘case’…a made-up pair of covers for a hardbound, flat-backed book…minus the book. Just a little something Valentine-ey to brighten (i.e. to em-Pink-en) my etsy and Madeit shops soon. The lines are from a short poem by the incomparable Sufi mystic, Rumi (transl. Coleman Barks)…the most beautifully ecstatic and mystic poet I know, and, hands-down, my absolute personal favorite.

P.S. The beautiful drop cap ‘G’ above is from Jessica Hische’s amazing Daily Drop Cap project…you really have to go over there and see! The equivalent of 12 alphabets of quirky, classic, showy, modern, eye-catching drop caps—each one such an individual, with a character all its own— are available free for personal use, to jazz up your blog posts. It’s incredibly generous of her to share these typographical works of art with everyone, when people of much less talent are so grinchy about everything they post on the internet, don’t you think?