bookbinding, stuff i've made

Light an old flame…

Spark something

1. Untitled, 2. City of Light (907), 3. Gorgons Head, 2003, 4. Twist and Shout, 2007-, 5. Royal Purple journal, 6. book 910 – 5, 7. Buggery: Beetles on books, 8. Sailing the night ocean, 9. postcards from the archipelago : sea monster attacks black ship…, 10. Untitled, 11. Cup o’ Lovin’, 12. Pterynotus bednalli miniature book(1 inch x 1 inch), 13. Miniature book (Simplified Codex), 14. the finished book…, 15. NON-PAREIL I, 2003, 16. “Gladiolus Rag” (Book 885), 17. Fauve Sunset, 18. Spider Lily (detail of embroidery), 19. Langstich und kettenstich, 20. Recent journals 1, 21. SCALLOP Amulet Book, 2004, 22. Closeup of a recent journal I made, 23. Only the Pure of Heart…, 24. Sorceress of Serendip, 25. 891, 26. Crazy Circus Chair, 27. heart shaped doily doodle…, 28. Lagooned in Gold, 29. Pilar’s Journal, 30. 895, 31. headbands, 32. Moroccan Diamonds, 33. caramel (no.906), 34. puff (no. 908), 35. Relax: Robyn’s Journal, 36. 904 : : Pink hippies

I feel pretty lousy for neglecting bookbinding. Well, that’s not the only activity I pretty much dropped when I became obsessed with learning to paint…I haven’t embroidered anything for ages, either! I’ve got to find a balance between this new painting bug, and everything else.

In an attempt to rekindle my bookbinding flame I was looking at my Flickr bookbinding set this evening. Seeing all these very different journal and book covers—particularly the old ones that I’d forgotten about—made me happy and sad. Most of these books are with other people, now, and it’s a bit like looking at a photo album of children who grew up and moved away. On impulse I made a mosaic of a few of them—fd’s flickr toys only allows 36 thumbnails so I’ve had to choose from among so many journals, and probably chose older ones simply because I haven’t seen them in so long, it’s like they’re new to me again.

I’ve got one day left to stay home and do something creative…what do you think I should work on: embroidery? Bookbinding? :)

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embroidery and textiles

bookbinding : : pink hippies

Pink hippies is my 904th handbound journal; an original and one of a kind book inspired by pink lillies, Hippeastrum puniceum,…I used to have hundreds growing in my garden in El Nido, Palawan, and they were a favorite subject for my drawings and paintings.

This is a flat back, case-bound book that opens flat at any point. It measures H6 5/8″ x W4 3/4″ x 1 1/2″ (170mm x 120mm x 40mm)

Paper is Edición avorio 110gsm, acid-free, in ivory, unlined. It is a beautiful paper for writing, sketching, drawing, and other dry media. There are 200 leaves (400 pages) so it is a chunky book, but will fit in your shoulder bag. Endpages are handmade paste paper sheets made using old sailing charts.

The cover is of acrylic paints on artist’s canvas. It has been protected with Soluvar artist’s varnish, which waterprooofs it and protects it from stains.

Pink hippies has a stripey handsewn headband in variegated shades of yellow-orange and coral-pink.

Available in my ETSY and Madeit online craft shops.

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embroidery and textiles

handgeweorc : : leading the soul camel home

Camel

It has been five days since I returned to Darwin after a month-long visit with family and friends in Manila, and only today do I feel comfortable with being back home and taking up residence within my old life again.

The first two days were something out of Dante’s Purgatorio…I was using the words ‘lost’ and ‘disoriented’ repeatedly, to describe the way I was feeling. Often these words were accompanied by a strong urge to cry. During the daytime I wanted nothing more than to sleep the time away…sleep as though dead; but at night I would fidget and squirm next to my husband, complaining of restlessness and imaginary discomforts.

“Oh, jet lag!” the modern world would diagnose, and prescribe pills or a bizarre schedule of waking and sleep that involved long walks, alcohol, and caffeine. But jet lag (extreme tiredness and other physical effects felt by a person after a long flight across several time zones) just doesn’t manage to explain away the full range of ‘effects’ experienced by someone who has just traveled, over the space of a few hours, from a Third-World Asian megalopolis like Manila, to the relatively sparsely populated, big empty streets of a small-scale city like Darwin in Australia…with the total time difference comprising a mere hour and a half.

Neither is culture shock (the feeling of disorientation experienced by someone who is suddenly subjected to an unfamiliar culture, way of life, or set of attitudes) to blame when, as now, the traveler is having difficulties assimilating the details of her own home environment!

What has really been going on? The way I see it, I was traveling too fast this time, and my soul was left behind. In Singapore, actually.

Life is so short, we must move very slowly.
—Thai proverb

I have hardly ever traveled by plane. This recent Darwin-Manila (and back again) trip has required my first international flights since 1979, when my parents took me, aged 5, to the USA. Otherwise, Kris and I pretty much travel overland on foot or by bicycle…further afield, we go by bus or car; we move between neighbouring islands by row boat, pump boat or ferry, and between neighbouring countries by sailboat. The few times I boarded a small plane for a domestic flight I experienced a confusion and disruption similar to (but only for a few hours…a day, at the most) my recent condition.

In his books, essays and interviews on the subject of modern travel, Alain de Botton explains:

“There used to be time to arrive…time to get used to the idea of being in a place…nowadays, people constantly get to their destinations too quickly…arriving in Mumbai or Rio, Auckland or Montego Bay, only hours after leaving home, their slight sickness and bewilderment lending credence to the old Arabic saying that the soul invariably travels at the speed of a camel.”

My soul arrives at the speed of a camel…(may as well be a camel, then, eh? Why not? A Soul Camel) to which ancient wisdom I would like to add that, according to my grandmother, the Soul—like a small child—is easily lured away from its familiar (hence boring) body by all things new and unexplored…charming little colonial streets, marketplace tchotchkes, the beckoning wonders of a foreign land. What am I saying? I’m saying that when I took the train into the city of Singapore and got off at Bugis Station, my soul took one look at those little shops with marzipan mouldings in pastel colors, and parks full of modern sculptures, and went off to explore the place on its own…taking all of five days to catch up with me in Darwin.

Makes perfect sense. Explains a whole bunch of things that neither jet lag nor culture shock can. Alain de Botton (sort of) concurs…and that’s always a good sign. What is more, my grandmother moved through her life with the purpose and authority of a military commander—looking much less lost, insecure, and confused than a lot of so-called rational and scientific people I have met—so why wouldn’t I take her word over theirs?

What to do till the camel comes home…

Don’t fret, for it will catch up. In the meantime, don’t make too many demands on yourself…accept that you’re not quite arrived yet—not all of you, anyway—so you can’t expect to snap perfectly into your old life like a piece of Lego.

Go slowly, be patient with yourself and others, find activities that you can work on quietly and in solitude.

Activities that ground you, similar to the ones witches recommend after working a major spell or raising a cone of power, are good: gentle housework or manual tasks like sprucing up the pot plants, weeding a patch of garden, doing dishes, folding dry clothes, or an easy craft that you know well and won’t have to think too much about…anything that you can do without having to make big decisions or come up with creative solutions, can help ground you.

Such actions connect you to the physical reality of where you are; they help build mini routines, that in turn help to re-establish the bigger routines that made up your life before you went traveling. Routines are firm shells that enclose and delineate space, so that your soul camel—with its creativity and passion and expressive fluidity—can feel safe to check in, unpack, and then jump on the unmade bed until dinnertime.

I planted one packet of marigold seeds and pruned the basil………I brushed the cat for an hour each day………I did the laundry………I brought my bicycle back up to snuff (replaced two broken spokes and trued the rear wheel, changed one tube, cleaned the gears, removed a troublesome mudguard)………

I started on a journal. I worked slowly. On Tuesday I stitched the paper and wooden covers into a coptic binding. Yesterday I played with a few headband ideas that didn’t work out. No matter. I undid everything and went at it from another direction.

This morning I think my soul camel finally arrived—every hairy, harrumphing inch of it—for I was suddenly vacuum-sucked out of my lethargic and bewildered state, into an absolute frenzy for everything I was doing before I left Oz in early March…embroidery, bookbinding, writing, mail art, visual journal pages, reading, working out, designing things, drawing, gardening…oh my god, I want a finger in all these pies, and a lifetime of plums!

I’m back. We’re back. How’ve you all been? ◊

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embroidery and textiles

all pinked out…

…February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries
with a splash of vinegar.
Cat, enough of your greedy whining
and your small pink bumhole.
Off my face! You’re the life principle,
more or less, so get going
on a little optimism around here.
Get rid of death. Celebrate increase. Make it be spring…
—excerpt from February by Margaret Atwood

It’s actually been gray and sunless long enough to starve our solar panels, which in turn has left our bank of 12-volt batteries flat. I’m under strict orders not to use my laptop for more than an hour…and only during the ‘day,’ when there is presumably more light in the sky than during the ‘night,’ though some days I can’t tell which way is up, and neither can the sulphur-crested cockatoos, who snooze in the mangroves until something like half-past-eight in the morning. I think hunger probably wakes them up, more than the sun.

I’m happy that my time on the macbook has been curtailed, though I miss the music more than anything—I just got Keith Jarrett‘s spontaneous jazz piano piece Köln, January 24, 1975, Pt. II C before all the weather started, and I haven’t been able to listen to it properly yet! Still, it’s not going anywhere; nice to have something to anticipate hungrily.

I had a brief Valentine’s Day rash, a week back, where I painted up some cases in pink and went wild with the hearts and doilies and lace and poetry and whatnot. Owls, did I really do owls?! I think I’m over it now, thank you, (I AM doing just one more, for my friend Miss Hurro Kitty, because she said pretty please) feeling much more like myself again…don’t know what came over me.

But it was a good rash, because I sold the first two of these journals right away, there’s just the last one left…it started with the needle in the upper left corner of the back cover, and before I knew what was happening, I’d added in a whole bunch of needleworking accessories. So it has become A Valentine for an Embroiderer (or Needlewoman, at any rate)

Day? Night? Dude (aka Pink Bumhole) doesn’t care…it’s all just “weather for sleeping” to him. He’s found a new spot this week, too…next to the flat 12-volt batteries.

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embroidery and textiles

A hundred hours

11 Jan 2011 satellite pictureWhat weather we are having! Have you seen the map?! Kris said today that if we didn’t have a boat, he’d start building one today. It thundered and bucketed down all night…our two dinghies were brimful of water, and only the foam chambers kept them from sinking to the bottom of the creek.

Hope everyone’s doing all right over Queensland way? The flooding has been quite terrible.

I doodled this in just a few minutes this morning, using my non-dominant (in my case, left,) hand—have you tried this? It works surprisingly well. There are even some popular books about drawing this way. It’s like your brain (i.e. the ego) tries to control what you’re doing, but because your non-dominant hand isn’t used to the task at all, it ignores the brain’s ideas of what the drawing should look like, and just draws what the eye can see. You have less expectations, drawing this way, too—hence you are more relaxed, more open to happy accidents, more accepting of your own work. Whenever I draw this way, I end up with a drawing that is less self-conscious, less what I think the subject looks like and more like the actual subject—it’s from a photo plus some pressed specimens of , I think, some wild Cineraria spp. that grew weed-like and vigorously at Silaga (El Nido, Palawan).

Also finished two more Allium journals, books 895 and 896, which I promptly uploaded to my etsy and madeit shops.

Book 895 is a bit pale, all soft and pastel-ey, at least in reality. The photos I took don’t do it justice—this dark, bruised-sky weather makes photographing things in ‘natural light’ a pain in the ass…so these flowers are probably still a touch over-saturated, the actual journal is softer, gentler.

Book 896 came out a bit better, taken today during a brief lull when a hole opened up in the clouds and some watery, thin sunlight came through. The colors on this one really do look like this: more saturated, the stencilled leaves are shades of bluey-green with hints of metallic paint, and the flowers look like lollipops.

I’m trying to get things set up so that it doesn’t take me a fortnight to make a couple of journals…but I don’t like cutting corners, either, so hmm, yes, in a bit of a dilemma. I’ll never manage to support myself at this rate! The embroidery is the bottleneck, I realize, but without the embroidery, they really aren’t Allium flowers at all. :( So until I find a solution that makes everybody mostly happy, I’ll stick to what I know…so back to the steely silence of the embroidery hoop in the corner!

When I was young, and in my prime,
You see how well I spent my time;
And by my stitches you may see
What care my parents took of me…

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bookbinding, paints and pens, stuff i've made

book 891

…her granddaughter gigs with Fire ’n
Ice, a skinhead punk-grunge group that performs in sheer
black nighties and clown wigs—she plays mean electric hygrometer
in the first set and then, for a twofer,

(very American, that) plays paper-and-comb. Far
out. She’s so fluent in various World Wide Webbery that nitrogen
in a thousand different inflections is her birthright, and almost any translation,
mind to mind, gender to gender, is second nature. “I earn
my keep, I party, I sleep” is her motto….

excerpt from “Sestina: As There Are Support Groups, There Are Support Words” by Albert Goldbarth

A new journal, finished today.

Covers are hand-painted in acrylics. Flat-back, case-bound, with headband. Closure is a neodymium magnet in the hand-stitched tab, and a thin piece of steel (mosquito coil holder ;) ) recess-mounted in the front cover board.

Dimensions are W 12cm. x H 17 cm. x D 4cm. Textblock is 200 leaves (400 pages) of Edición 110 gsm in avorio (ivory), endpapers are in aubergine.

Hey, this is the very first item to appear in my shop! Quite nervous about this whole selling online thing…there’s so much to learn and read up on, I’m feeling overwhelmed. How the hell do others do it?

Nothing else to say for the moment…I’m in my making zone and nothing else matters right now. What are you hanging around for?

Go! Make something beautiful…it is later than you think.

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