Darwin, Australia, paints and pens

My first life drawing session!

life drawing session 1

My first time at a life drawing class. The model was a petite German lady called Bianka, an experienced artist’s model and a sunny, well-travelled, intelligent pixie. Of course it doesn’t matter how petite and trim a model is, when I draw a woman, she puts on 15 kilos just because, well, that’s how I feel about the pose. I am drawing on what I know, and the drawing is not Bianka, nor is it me, but a hybrid third of all those involved. Heh.

Worked with soft and hard chalks. Some pencil for the last drawings, because I was getting tired and knew that my “zone” moment had passed (but I was thrilled that, at some point, I found myself ‘in the zone’, if only for a brief 20 minutes or so) There are some tiny areas in these drawings that I’m happy with…I’m talking about a few inches here or there. On the whole, though, these are learning drawings, and of no value in themselves.

life drawing session 1

I threw most of the drawings away when I got home (and one of the better ones was picked up by the wind and whisked into the water…can’t even remember what it looked like, really, I never got a good look at it.) Only kept a few for these photographs, but will probably end up throwing all (but one) away, after I post this. It’s a tactic to keep me attending the drawing sessions: don’t get precious, don’t ‘collect’, don’t get smug, don’t keep anything…it’s the doing that has value, the finished drawings are nothing.

life drawing session 1

I am so happy I worked up the nerve to go. It was absolutely worth it. The thing I loved the most? The connection, immediate and visceral, that I felt because mind and cleverness were not involved. None of that “start by drawing an egg shape for the head” bullshit. Bianka=eye=heart=hand=drawing. Simple and powerful. There is sooo much work to be done. I hope I can keep the sessions up…to get good at anything, you have to be ready to commit to years of practice.

The Darwin Life Drawing sessions are presented by Shilo McNamee, with the support of the Darwin Visual Arts Association (DVAA). They are held Sunday mornings (check the website or their facebook page to be sure, though, and to tell Shilo you’re coming) at the Winnellie Art Space, 96-a Winnellie Road (next to the large Darwin Bakery/factory)

life drawing session 1

life drawing session 1
life drawing session 1

life drawing session 1

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blogs and sites, Inspirations, music + film

Dancing for Yourself via New Art

“Awesome, isn’t it?
Dancing for yourself is the best, and we all (?) know the feeling of something that is so good it should really be changing the world….

Now that we’ve gotten this far, you need to know something: this event was staged. The person dancing is a performer, and what you have just seen is an art project.”

Provoking thoughts about experience and performance, art and self, the public, the commodity, and the private, the everyday, the contrivance, and the sublime. This is the latest post from New Art, who does not write often, but is always worth checking out when he does.

Discuss with your favorite dance partner, or with a reflection of yourself in some large mirror.

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art + design, Exhibits

Constellations

Don Whytes Off Cuts
Last night’s show was the usual chaos of a room crammed with hundreds of people, all standing up close to the walls where the paintings hung, jostling and craning to look over each others’ shoulders at the 100+ works.

By the time Kris and I got there, our four paintings had sold. Goodbye, my bland, strangely asexual “Dresden Doll”. Go and spread naughty magic, “Priestess of Cernunnos”.

I don’t know that the world is any better for those two being in it…two more mediocre things to add to the Taoist pool of “ten thousand things”. Sometimes I think that 95% of all making, of all our creations, all our so-called ‘works of art’ or design or craft, are just tarted-up, respectable versions of grafitti. Another big scrawly tag on the wall, another pathetic “I was here! Remember me!”

To what end? Most people cannot, off the bat, name their 8 great-grandparents. One really wonders, sometimes, what it’s all about…this compulsion to leave marks behind, to lodge some part of ourselves in someone else’s memory of the past. Which doesn’t actually exist, except in our unreliable minds.

Dresden Doll, as she was sent off

I took one photo, after half the crowd had left and more of the wall could be seen from across the room. There were only three ‘nudes’ in the show. Two of which were mine. Someone said to me, “That one (The Priestess of Cernunnos) might be a little too risqué for Darwin…” The hypocrisy of Western society never fails to stump me. It thinks about sex all the time, uses it to sell anything and everything, leads the way in sexually-charged fashion, film, publications, is obsessed with it, but pretends to be squeamish at the same time. Much is made of the Priestess’ pubic hair, which I painted as the face of a satyr. A conversation follows about salons that now offer pubic styling, including one style where they remove all hair, and stick sparkling diamanté patterns on the skin.

I ducked outside to have a smoke in the parking lot. There were some men from the show there, and a young girl in a tiny little party dress sitting on the ground. Too much to drink, and she wore a pair of ridiculously high-heeled, diamanté shoes. She nearly fell over trying to stand up, and someone asked if she was okay. Thrilled, I suppose, to be at one of her first “art gigs”, and surrounded by some older men, she explained that she was just sitting down because her shoes were killing her, but “weren’t they fabulous? They were hard to wear, but gorgeous shoes, and super blingy.” Fashion victim…guess she got tired of waiting for someone to compliment her on her shoes, she decided to initiate the discussion. She went on to talk about her shoes, modelling them for us at the same time.

Attention from the others shut down with almost audible snaps, like a row of deadbolts on a shed door. I turned to the guy next to me and asked him if he had any work in the show. Yeah, he had a couple. “Oh, did you paint the naked women?” says Miss Bling, who tries to segue into talking art when her shoe talk falls on deaf ears.

“I did those,” I say. “Oh, really? WOW! Do you want a NUDE MODEL?” I try not to look at her shoes and think of her pubic region covered in the same bling, while the men around me make strangled noises in their throats. A friend, who doesn’t paint, murmurs that he should take up painting. I imagine her, young and silly as she is, pulling a series of hackneyed, unimaginative boudoir or celebrity poses that she’s seen in magazines or porn flicks, making smouldering hot “fuck me” looks to go with them, and become depressed. “You’re talking to the wrong person,” I smile, “I’m really not very good at life drawing…” and tell her that there’s a place on the other side of town that does live drawing sessions, she should go and see them, they probably pay quite well for a couple of hours of modelling.

She excuses herself after a while (probably decided we were a boring bunch of old farts, which we were) and someone says, “She’ll get better. She’s just really young.” I shake my head and look up at the night sky, suddenly wanting to go home, to sit in the dark and watch the lights dance on the waters of the harbour.

I don’t think I have ever been that young.

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amazing people, Inspirations, uber embroiderers

über embroiderers : : Maricor/Maricar

I’m trying to keep up a sort of regular ‘feature’ on über embroiderers on The Smallest Forest: These are the big kids, the crème de la crème, the leet of needle and thread…that runts like me long to play with, but will never even exist in the same universe with…

Not necessarily technical virtuosos or professional embroiderers, but artists who do strange, new and wonderfully unusual things with embroidery…creativity, concept, media, message. Just…different, somehow.

✂ – – – ✂ – – – ✂ – – – ✂

Maricor / Maricar have done it again. Hong Kong Airport commissioned them to do billboard graphics celebrating the food of the world. The word “Delicious” is spelled out in different languages, the letters made up of images of the foods from that particular region.

The über embroiderers designed these whimsical letter forms in various alphabets, and then stitched them up beautifully. The colors and clever play between images of yummy things and letter forms is a real treat for the senses. Impeccable work, as usual, ladies!

✂ – – – ✂ – – – ✂ – – – ✂


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Exhibits, paints and pens, stuff i've made

Dresden Doll : : Don Whyte’s Off-Cuts Show

odi et amo detail

Details of a painting I’m throwing together for Don Whyte’s Off Cuts Show.

“Dresden Doll” (acrylic and retarder on canvas). She’s named after Dresden porcelain, by the way, not the band. Dresden porcelain often featured oriental designs painted in cobalt; one distinguishing feature for collectors these days is that “the cobalt blue mark is always underneath the glaze”. Her entire body was blocked in cobalt blue, covered over in skin tones, and then scratched through to reveal the designs…it’s called s’graffito and I wrote a post about doing it in acrylics, here.

odi et amo detail

Her tats are rather pale, but it’s too late to fix that now without overworking the thing. She’s already pretty heavily worked as it is, which is not a good feeling…so important to try and finish the piece while there is still a connection between yourself and the subject, while it’s all still interesting and challenging. I’m so over this figure by now (even though I only started it yesterday) that I just want to get the damn background—which is a mess—sorted out so I can leave it. I’ve got another two canvases to do for the show, deadline’s the 9th of April.

⟐ ⟐ ⟐ ⟐ ⟐ ⟐ ⟐ ⟐

Don Whyte’s Off-Cuts Show is up in less than three weeks. Don Whyte is Darwin’s prime framing business, and every year he uses up the small off-cut pieces of canvas stretcher bars from his trade to make a couple hundred small square stretched canvases (average size is one foot, 30 cm., square). Local folks are invited to drop in and grab as many canvases as they think they can finish, turn them in before the deadline, and they all get exhibited and sold on the night of Don’s Off-Cuts Show.

Amazingly, for a venue that isn’t even a gallery, this gathering has become Darwin’s most widely-attended, most dynamic, and most thoroughly-cleaned-out art exhibition. The large room is jam-packed with people on opening night—everyone brings something lovely to eat, the bar is run on donations (because Don hasn’t got a license to sell alcohol)—and there isn’t a single painting left unsold by the end of the evening. Prices range from $40 to $250, the artist can choose to donate the entire painting’s sell price to Don, or split the take according to some sort of percentage. All the money Don gets from the show goes to charity.

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Inspirations, philosophy

❝I consider all…

❝I consider all my story cloths to be self portraits. You might too. Because all meaningful making contains your voice and the voice of the materials you choose. Be sensitive to that. It will make a huge difference in your work.

Story cloth is slow cloth, it takes time to tell a story.❞

—Jude Hill

The quotable Jude Hill. Someone should compile a book. Almost everything she says makes a beautiful quote…something precious, to be cradled in two cupped hands: a small but strong flicker of an idea that applies to all making, all living, and not just to textiles.

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embroidery and textiles, paints and pens, stuff i've made

The thing with feathers

Untitled
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops – at all -

—excerpt from “Hope” is the thing with feathers - by Emily Dickinson

Untitled

It started with single strokes of ink on small squares of watercolor paper…trying different brushes out to see which ones made good feathers in one swoop. Got some nice shapes…lovely puddles of gathering color.

Then: what if I stitch the barbs (using feather stitch, naturally) with thread to form the vane?

Untitled
Encouraged by this, I tried the process out on small stretched canvases, adding some shading to the original ink stroke with acrylic paints and a rigger brush. The central calamus and rachis was worked in stem stitch. The thread is a variegated DMC coton a broder.
Untitled
Nice, but the feather stitch was hard to keep neat over so wide an area, so eventually I abandoned the feather stitch altogether, and just used straight stitches to work the barbs. Alternated between long and short straight stitches, as well as between coton a broder and a synthetic iridescent thread.
Untitled
I first got the idea to embroider on top of painted, stretched canvases when I was 18 or so. Never finished the huge tree of life that I started then, but the idea of over-stitching a painting has been with me a long time. I dug the idea up again in 2009 when I added cross-stitched roses to my oil painting of a 19th century Filipina in traditional dress for my exhibit Encarnación.
I’m very fond of this stitch-and-painting mashup technique, and think I might be using it more often from now on, because it gives a dimension of texture and structure to a painting that I haven’t been able to get from using paint alone.

P.S. The feather paintings/embroideries are for a series that I’m putting into the TactileARTS (The Crafts Council of the Northern Territory) Members’ exhibiton this April. The theme is Birds.

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