Day Two of this painting. Still very much a Work In Progress. And yes, it is very pink, isn’t it? Maybe it should be called “Portuguese Arriving to Sack Electric Ladyland”. I had a lot of fun when I started, which is why so much got done in just two days. But I sort of hit a wall this afternoon, and now I don’t know what to do with it.
As usual, I like parts of what I’ve done…but not the painting as a whole. Not sure what’s bugging me about it, but I suspect the whole painting should be flipped to its mirror image, so that the boat is entering the scene from the left (forget about it, easier to paint a new painting!) Also, I think the sea should be a reddish purple (I thought of Homer’s “wine-dark sea”) and the ship should be something really goofy…not just some dwarf version of a real caravel…
…but god, I am so tired of wrestling with it—it measures 2′ x 3′ and I have been standing in front of it all day—and I don’t know if I will ever get around to making such big changes. Right now, I can’t LOOK at it any longer, I am so tired of staring at it that it all dissolves into puddles of colorful mud when I try. I think I’ll just turn it to face the wall for a while, and see what I think of it in a week or two.
I did learn something new, exciting and funky on this painting: A fine-tipped Posca paint marker (1-MR) will fit in the holes of a Spirograph! This means a lot to me. At last, I can use my Spirograph with more than black drawing pens or ballpoints! I am besotted with Posca pens, anyway, because they are water-based acrylic paint pens, and they draw a rich, opaque line, and they glide over any surface like an oil slick; knowing I can use them to draw Spirographs just means that I love them more than ever.