amazing people, books + poetry, Inspirations, life, philosophy, travel

A hippie Christmas in India : : an excerpt from Kris’ latest book

Victoria terminus in mumbai

Victoria terminus in mumbai (Photo credit: Sofi Lundin)

Kris still hasn’t arrived from Bali, and it’s starting to look like I’ll be spending my holiday break alone on this boat: embroidering, folding origami and doing other Batty Old Lady things. I miss him; as I’ve mentioned before, it doesn’t matter how often he’s away, I never get used to it. ‘Pining’ is the word that comes to mind. I often scold myself for “putting all my eggs in one basket”, so to speak; Kris is my best friend, my most-esteemed colleague, my best teacher (and also my best student), my Belovéd, my mentor, my role-model, my solace, okay, you get the picture… :D

Where was I going with this? He’s written a fourth book, Out of Census—about his years as a student in Prague, how he ran away from Communist Czechoslovakia, and his years as a wanderer through Europe and the Indian subcontinent—and I was re-reading it tonight (it makes me feel close to him to read stories from his life, written in the same slightly-off Eastern-European English that he normally speaks with. This is my personal favorite of all his books.)

This story takes place in India in the late 70s, around Christmastime and the New Year, which I thought apt…although it isn’t a Christmas story, please be warned! It’s bleak, and very alien to what we think of as Christmastime stories…but, like all of Kris’s accounts of his life, it makes me think, it inspires me to be less afraid and to take more risks, and it opens my mind up just a little bit more.


Bedlam spread into the lofty Victoria Terminal. Whole families were living on the floor of the waiting platforms….In a quiet corner I saw a man lying on the floor by himself, fully dressed in filthy European jeans-jacket and long pants, the soles of his bare feet black as a bitumen road. As I looked at him, the destitute beggar turned over and I saw his face; he was a young, white hippie…pale, with sunken eyes the color of wilted lemons, protruding cheekbones, evidently gravely ill, abandoned by his friends, and he was sheltering from the sun and crowds on the station. With a groan he passed out, exhausted by the move. I shivered.

I wasn’t feeling well, myself. And it wasn’t the usual gastro discomfort. You get used to intestinal problems in India. Old hands ignore them, pointing out that even such luminaries as Mahatma Gandhi lived their entire lives with chronic dysentery that never improved, in spite of diets and medical attention. “Three solid shits in two years in India is good going,” we used to say. This time I had caught something more serious. I was getting weaker by the day, I had to sit down to rest every half hour; I had lost my appetite altogether. I was pissing dark brown urine, no matter how much liquid I drank…

I made it back to the hotel and went straight to bed. I was running a high fever and I was sure that I was crook as Hell. In the morning, the German girl that I had been traveling with looked into my face and her jaw dropped. “Have you looked into your eyes?” she asked. Wearily I turned my face to a little hand-mirror hanging from a nail over the washing basin. My face shocked me. Cadaverous eyes stared back at me, feverish, and instead of the usual red fever tinge they were deep yellow. The penny dropped as I reviewed my symptoms. I had hepatitis. I reached for my liver and yelped in pain. It was swollen sticking out from my side under the ribs, tender and painful. No wonder I was off food, weak as a fly, pissing blood. My liver was shot….

Generally, I am fairly resistant; my stomach is strong, but I am prone to attacks of malaria and other mosquito-borne diseases. Hep was another matter. It was a serious blow, as there was no cure for it. There still isn’t. Several dozen known causes can lead to hepatitis, which is the generic name for inflammation of the liver, but there is no medicine to combat it directly. You can strengthen your body’s immune system as it is fighting, but you have to wait, two to six weeks, until it conquers the invasion by itself.

Our gang panicked; hep was a major scarecrow on the road. Within an hour I was alone. Fools. I had been spreading germs amongst them for days, as my disease incubated, before the symptoms became manifest. It was too late to run, now. What’s more, many strains of hepatitis are not directly contagious…not by simple contact or by sharing food.

This desertion by friends hurt. We had traveled together since Quetta…we were a gang. I had known some of them since Istanbul. I did not blame them—we did not know much about hepatitis—but I resolved not to travel with Germans again.

Picking up my backpack, I focused my fuzzy mind on one task: I had to get out of Bombay, or I would die like a beggar I had seen on the street, the previous day. A picture of the unfortunate hippie in the filthy jeans jacket, lying on the platform, also danced in front of my eyes…

I dragged myself down the street, bound for the railway station. Every fifty meters I had to stop and sit down. The only place to sit down was in the dirt of the pavement. Each time, I collapsed amid the rubbish, rat shit, and sweepings of the street. Even the homeless who lined the street averted their eyes when I encroached upon their domain. One insistent tune occupied my mind like a mantra…the first two lines of a Simon and Garfunkel song: “Are you going to Scarborough Fair? Parsley, sage, rosemary and thyme…” I only knew those two lines, and I kept stubbornly repeating them, humming them in defiance as I focused on reaching the Victoria Terminal. It wasn’t a song, anymore; it was a chant of determination. I was telling myself “I am gonna make it, I will pull through.”

Three years later I heard Simon and Garfunkel sing Scarborough Fair, live on the stage, in Wellington, New Zealand, and I wept without shame—all the crushing emotions of being alone and ill in Bombay sweeping back over me….

I did get to the station without help, and I bought a second class ticket to Madras. Still humming Scarborough Fair through clenched teeth, I boarded the train. I was powerless to argue about seats. The weak and ill have no chance of negotiating in India. I could not care less about the world around me. I took down the bags and suitcases that other passengers had stuffed into the overhead luggage rack and, with effort, crawled up there, myself—stretching in the netting, stowing my own bag under my head—just like a rough bivouac in a hammock on a rock wall. One passenger got up to complain about my behaviour. I stared in silence down into his raving face, and when he stopped for a breath I opened my eyes with my fingers to show him the yellow color, and I whispered: “I have hepatitis. And I do not give a damn.” That shut him up.

It was Christmas Day. My first Christmas away from Europe, and I spent it curled up in an overhead luggage rack on the Madras Express, for the entire 36-hour trip….By the time I slid down the two steps to the platform in Madurai, I knew that I had broken the sickness’ back, and my body was on its way to recovery.

…I took a small clean room on the ground floor of a pension around the corner from the main temple, and I settled in to wait until I felt better. Christmas I had spent curled up like a used paper bag in a luggage rack on a train. On New Year’s Eve I felt strong enough to venture into the streets, to celebrate. Indian street life continues vigorously into the late hours…not as revelry, but as ordinary activity in the cool evenings. On the last day of the year there was nothing to distinguish it from any other day. By midnight everyone was asleep, streets were dead, resonating to the snores of the homeless bedded on the pavement. Indians do not celebrate the same New Year that we do. Nobody took any notice, nobody lit fireworks, nobody cared. The central government in Delhi ran its affairs by Western calendar, but both main religions, Hinduism and Islam, counted time in their own ways, aligned with the moon.

New Year in Madurai awakened me to the fact that even basic preconceptions that we assume to be universal do not reach past Istanbul. White man, in his cultural arrogance, because he doesn’t know any other way of looking at things, thinks everyone else in the world agrees with his point of view. Sitting on the pavement that night, reflecting on the different calendars that people use today, I came to realise that what we think of as the world, or the world that counts—this essentially white, Western, Christian world view—is a minority opinion, if you take the earth’s population as a whole. Hindus…the Chinese…one billion Muslims…just these three blocks comprise more than half the world’s population. Then come smaller groups, like the Japanese, who still count years from the ascension  of the current emperor, and who only celebrate Christmas Day because it happens to be the birthday of their Emperor. Add countless smaller groups who all have their distinct ways of looking at the world, and then tell me: What makes us think that the way we see things is the world norm?

We need to be reminded that the world is a much wider place than what our teachers depicted at school, and that in many places our domineering culture is seen as invasive, immature, barbarian, and not up to the standard. Happy New Year, man.

—text excerpts from Out of Census by Kristian Larsen, 2012. All rights reserved.


I’ve been told that you have never really been to a place until you have been seriously ill there. I also know that there are few things as miserable as getting sick in a strange place..having to find your way to local doctors or pharmacies, having to explain what’s wrong or what’s needed through the language barrier, and having to look after yourself because nobody else is going to do that for you. It’s a very lonely feeling. But if you pull through, something about your relationship with that place is changed. You have been tested, and triumphed. The unfamiliar surroundings hold little terror or fear for you, after the ordeal, and, strangely enough, you feel as though you finally fit in…belong there, just a bit more. A price has been paid, a part of you has been taken, and the place cracks open like a nut, in return.

Often, the only way out of the terror is through the terror. Have you ever taken that path? It can be an amazing experience, and no words can describe the personal power and strength that washes over you when you emerge on the other side.

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books + poetry, Inspirations, life, philosophy

Begin.

Sunrise on a Flat Arafura Sea

 “Begin.
Keep on beginning.
Nibble on everything. Take a hike.
Teach yourself to whistle. Lie.
The older you get the more they’ll want your stories.
Make them up.
Talk to stones.
Short-out electric fences.
Swim with the sea turtle into the moon.

Learn how to die.
Eat moonshine pie.
Drink wild geranium tea.
Run naked in the rain.
Everything that happens will happen
and none of us will be safe from it.

Pull up anchors.
Sit close to the god of night.
Lie still in a stream and breathe water.
Climb to the top of the highest tree
until you come to the branch
where the blue heron sleeps.

Eat poems for breakfast.
Wear them on your forehead.
Lick the mountain’s bare shoulder.
Measure the color of days around your mother’s death.
Put your hands over your face
and listen to what they tell you.”

—Ellen Kort

Note: I know this poem by heart. I read it at my best friend’s funeral, 17 years ago, and it continues to inspire me nearly every day. Eyes on the present moment, friends…it’s the only thing you really have.

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books + poetry, Inspirations, paints and pens, stuff i've made

Imaginary cover designs for favorite books

What if I could design the covers for my favorite books?

This just looks like a book…it’s really just paint on canvas. I’ve wanted to do something like this for ages, and seeing A.J. Hateley‘s vintage paperback cover designs for non-existent books finally tipped the scales from daydreaming to doing something about the idea.

The Wide Sargasso Sea by Jean Rhys is a favorite of mine for its sensuous language and steamy equatorial images, mainly, though I also chuckled at the way Rhys cleverly, ironically braided her novel’s ropes in with the silken cords of Charlotte Bronte‘s Jane Eyre…like a cuckoo sneaking her vulgar egg into a respectable bird family’s nest.
one of these things...

Sort of the way, come to think of it, that my painting tries to hide among the Penguins on my bookshelf… ;)
The Wide Sargasso Sea

As paintings go, this one’s pretty bland…pretty, but not really saying anything. I just had the image of seaweed viewed through a cross-section of seawater, and stuck to it, even when it was obvious that there wasn’t going to be much tension or interest in a flat sea and some seaweed. There are events from the book that would have made for much more intriguing cover images, but I didn’t feel capable of a composition with burning parrot against night sky and French windows, or something dramatic like that. It’s okay for a book cover, though.
The Wide Sargasso Sea

I’m especially delighted with the way it looks hanging—like I’ve got a book stuck on the wall.

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books + poetry, Inspirations, stuff i've made

Natural Born Steppers

Just finished reading Terry Pratchett and Stephen Baxter‘s The Long Earth…what a fun read! So much fun that I jumped on Picmonkey and made up a few tongue-in-cheek T-shirt designs for the stepping crowd. As the Zen poet on another earth could have said:

“When parallel worlds are upon us…

can fashion be far behind?



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books + poetry, Darwin, Australia, Inspirations, life

vandalized fruit and other news…

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Just playing with my food, again. Sorry, bad joke. But I have to say, there’s something very satisfying about picking up a fruit or vegetable that’s just lying around, and doodling on it with a marker. Have you tried it? I need to do this fruit decoration thing about once a year…here are some old ones:

rotund mango maiden
pears 12

I’ve got work every day this week, filling in for one of the staff, sorry there’s so little substance in my posts lately. I’m just dying for the weekend! Hopefully I can post something new, and more interesting, then.

Oh, and remember that little gem of signage I photographed and posted here, a couple of weeks ago?

alleyway bullion

The restaurant directly behind the turquoise wall—called Go Sushi—had a huge fire a little over a week ago, and here’s what’s left of the sign that I thought was so pretty:

and gone...

Fascinating, the way some little corner of the city can stay the same for 20 years, and then —whoosh!—is gone, overnight. Life, really, I guess it’s called. I wonder how the Chinese backpacker—having his cigarette break out the back in my picture—is, and where he works, now.

They’ll tear the whole thing down soon, and something new will quickly rise in the prime real-estate space; two years from now, nobody will remember there ever was a corrugated iron wall the color of a robin’s egg along this narrow street, or some fancy old-school letters.

Personally I’ve always gone to Takagi’s (or better, that one inside the Casuarina Shopping Center, next to K-Tong’s) over Go Sushi, so I won’t miss it. In the meantime, though, all its grieving fans can go sushi someplace else (I hear they’re restarting it in a different spot.)

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amazing people, bookbinding, books + poetry, Inspirations, stuff i've made

Teratologus, a handmade bestiary

Ammit

“There is a kind of lazy pleasure in useless and out-of-the-way erudition.”

Jorge Luis Borges, from The Book of Imaginary Beings

The Bestiary. During the middle ages it was the second most popular and purchased book after the Bible. We look back on these collections of fanciful stories and misrepresented creatures, today, and wonder why the aristocrats of those days would spend so much money on what seems to be a very frivolous and unhelpful volume—for, before printing techniques reached Europe, each book had to be copied out and then illustrated by hand,  using goat or sheepskin parchment or calf vellum (because paper was also unknown,) so if you wanted a book…ONE book…you had to be rich enough to afford a herd of animals, as well as pay the monastery for the several years of labor involved in producing that book.

It helps to remember that in those days bestiaries were taken very seriously, as truthful accounts of the creatures of the world, and a wealthy man of position probably felt he had to know more about the world than a common person, so a bestiary in the library was absolutely essential.

Troll

We often feel a strange, out-of-place nostalgia for the days when bestiaries were in their glory, and lament that we were born several centuries too late. In the days of Herodotus or Ibn Battuta, the planet was still a deeply complicated mystery…it was overrun with creatures possessing supernatural abilities, and bizarre, semi-human tribes were said to wander the furthest reaches of the globe. It was jaguar-jungled and river-scored, or else fabulous cities rose up from the deserts like Fabergé constructions of gold and marble, or were hewn from monoliths of stone.

The far reaches of the globe were visited by very few travelers…merchants, sailors, diplomats…whose written or spoken accounts (and yes, of course there must have been a few who could not resist embellishing upon or fabricating wonders with which to amaze the audiences back home) were later interpreted by local artists, who had only a description, their own familiar animals, and their imaginations with which to cobble the new forms together.

Benini

When I met Kris, he had already spent 4 years researching and putting together the beasts from many different bestiaries as well as mythologies: Greek and Roman, Babylonian, Norse, Japanese, Arabic and Indian ones. I bound him a book for his research, and he started the work—a little each night— of illustrating each beast and copying his notes into the book by hand. He continued to discover more bestiaries, and in them more creatures, so that eventually the handbound book that he called Teratologus contained 170 separate entries, and there are 30 more that weren’t included because he ran out of pages.

The finished book is one of our household treasures. Like a photo album of imaginary friends, it doesn’t get shown around much or talked about, yet we cherish it. It is not just a pleasure to look through, for me, but embodies some important qualities of the man who put it together. I love that Kris worked on this project as diligently and seriously as if it had been a paying job, some grander endeavor, or something that would get more public exposure. I love that fantasy and magic and art and Borges’ “useless and out-of-the-way erudition” are among the things that delight him. I love that, for the things that delight him, 7 years of working, a little bit at a time, is not “impractical” or too demanding to sustain.

Grendel

Zaratan

Shojo

from the bibliography

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books + poetry, Inspirations, life, philosophy

Everything in any way beautiful has its beauty of itself, inherent and self-sufficient: praise is no part of it. At any rate, praise does not make something better or worse. This applies even to the popular conception of beauty, as in material things or works of art. So does the truly beautiful need anything beyond itself?…Does an emerald lose its quality if it is not praised?”

—Marcus Aurelius, #20, Book 4 of Meditations

Everything in any way bea…

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books + poetry, food, Inspirations, travel

If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.

J. R. R. Tolkien (1892 – 1973)

Last night’s party aboard Sonofagun was quite a happening.

Everyone we invited turned up. The sight of 19 people (and one friendly rottweiler) jamming, laughing and chattering together on the back deck of the boat—as well as the flotilla of a dozen dinghies hitched to the back platform, and a full-sized sailboat, Outsider, rafted up alongside so that people could cross from one boat to the other—was pretty damn impressive. It was impossible not to feel the love from all these friends who made the effort to leave the land and join us on the water.

The menu was a success…Christophe declared the coq au vin “perfect” and “nearly as good as my mother’s” (*fistpump* Yes!), while the dips (the bagna cauda and borani esfanaaj, particularly) were pronounced “addictive” by several friends, who hovered around that end of the table nearly the entire night. A  fondue of dark chocolate (served with strawberries, macadamias, and some ill-chosen marshmallows that nobody touched) and cups of strong coffee at the end rounded the dinner off with a sharp little perk-me-up that after-dinner joints and more booze worked into rowdy revelry, before leading everyone back to the ciabattas, olives, cheeses, nuts and dips…to quell those notorious munchies.

The last of the crowd went home by two a.m., though a couple of friends went to sleep on Outsider, just next to us, while Tobias the rottweiler and three other friends unrolled their swags and slept on deck.

On the whole, a party to be remembered…especially as I didn’t take any photographs! Flash bulbs and long exposures on a moving boat would only have produced blurry, dark, grainy and greyish photos of the evening, anyway, and captured none of the energy, the conversation, the merriment, the aromas of simmering wine or liquified chocolate and coffee that hung in the chilly air. Such moments blossom in a rapid geometry of sensations, emotions and ideas…and because I wanted to really be a part of that dynamic Now, as it was unfolding, I didn’t even think of getting my camera out, let alone entertain any concerns for finding a good angle or getting the lighting and exposure right. I’m trying not to let anything stand between myself and the Present; I want to be more than just a spectator of my life.

My only photograph of the day was taken in the morning, laved in refined sunlight, music flooding the boat, during the peaceful and relaxed enjoyment of my third cup of coffee, in-between having made the borani esfanaaj (heavenly) and getting ready to start the mashed potatoes (for which recipe I succumbed to food hubris and complicated processes by using Julia Child’s version, purée de pommes de terre à l’ail. It was sinfully buttery, fluffy, and infused with a gentle, creamy garlic flavour. Taking my hubris a notch higher, I would suggest improving this recipe, next time, by using oven-roasted garlic flowers…instead of boiling the garlic cloves in water. Presumptuous beyond belief.)

Recipes I used are here, for the bagna cauda (I added paper-thin slices of shallots to this) and borani esfanaaj.

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Dude’s very happy that the big black dog is gone, and he is once again king of Sonofagun.

For the coq au vin, instead of using the pressure cooked recipe, I ended up slotting use of the pressure cooker into the full-on, multiple-process recipe from Julia Child’s first volume of French cooking. *sigh* I know I said I wanted it to be quick and easy, but in my heart I knew that the flavor of the sauce would suffer, and you can’t sacrifice flavour for the sake of convenience! May as well grab a bucket of fried chicken, in that case, no? So, really, Christophe’s cocotte-papin or autocuisier only saved me 15-20 minutes of cooking time whilst I was tenderising the chicken. Everything else happened in Julia-time…sort of like the culinary version of William Morris’ Arts and Crafts Movement: the dish took 5½ hours to prepare, from start to finish, not counting the time spent washing the various pots and skillets, along the way, but counting the final heating of the dish before serving.

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