art + design, Exhibits

Constellations

Don Whytes Off Cuts
Last night’s show was the usual chaos of a room crammed with hundreds of people, all standing up close to the walls where the paintings hung, jostling and craning to look over each others’ shoulders at the 100+ works.

By the time Kris and I got there, our four paintings had sold. Goodbye, my bland, strangely asexual “Dresden Doll”. Go and spread naughty magic, “Priestess of Cernunnos”.

I don’t know that the world is any better for those two being in it…two more mediocre things to add to the Taoist pool of “ten thousand things”. Sometimes I think that 95% of all making, of all our creations, all our so-called ‘works of art’ or design or craft, are just tarted-up, respectable versions of grafitti. Another big scrawly tag on the wall, another pathetic “I was here! Remember me!”

To what end? Most people cannot, off the bat, name their 8 great-grandparents. One really wonders, sometimes, what it’s all about…this compulsion to leave marks behind, to lodge some part of ourselves in someone else’s memory of the past. Which doesn’t actually exist, except in our unreliable minds.

Dresden Doll, as she was sent off

I took one photo, after half the crowd had left and more of the wall could be seen from across the room. There were only three ‘nudes’ in the show. Two of which were mine. Someone said to me, “That one (The Priestess of Cernunnos) might be a little too risqué for Darwin…” The hypocrisy of Western society never fails to stump me. It thinks about sex all the time, uses it to sell anything and everything, leads the way in sexually-charged fashion, film, publications, is obsessed with it, but pretends to be squeamish at the same time. Much is made of the Priestess’ pubic hair, which I painted as the face of a satyr. A conversation follows about salons that now offer pubic styling, including one style where they remove all hair, and stick sparkling diamanté patterns on the skin.

I ducked outside to have a smoke in the parking lot. There were some men from the show there, and a young girl in a tiny little party dress sitting on the ground. Too much to drink, and she wore a pair of ridiculously high-heeled, diamanté shoes. She nearly fell over trying to stand up, and someone asked if she was okay. Thrilled, I suppose, to be at one of her first “art gigs”, and surrounded by some older men, she explained that she was just sitting down because her shoes were killing her, but “weren’t they fabulous? They were hard to wear, but gorgeous shoes, and super blingy.” Fashion victim…guess she got tired of waiting for someone to compliment her on her shoes, she decided to initiate the discussion. She went on to talk about her shoes, modelling them for us at the same time.

Attention from the others shut down with almost audible snaps, like a row of deadbolts on a shed door. I turned to the guy next to me and asked him if he had any work in the show. Yeah, he had a couple. “Oh, did you paint the naked women?” says Miss Bling, who tries to segue into talking art when her shoe talk falls on deaf ears.

“I did those,” I say. “Oh, really? WOW! Do you want a NUDE MODEL?” I try not to look at her shoes and think of her pubic region covered in the same bling, while the men around me make strangled noises in their throats. A friend, who doesn’t paint, murmurs that he should take up painting. I imagine her, young and silly as she is, pulling a series of hackneyed, unimaginative boudoir or celebrity poses that she’s seen in magazines or porn flicks, making smouldering hot “fuck me” looks to go with them, and become depressed. “You’re talking to the wrong person,” I smile, “I’m really not very good at life drawing…” and tell her that there’s a place on the other side of town that does live drawing sessions, she should go and see them, they probably pay quite well for a couple of hours of modelling.

She excuses herself after a while (probably decided we were a boring bunch of old farts, which we were) and someone says, “She’ll get better. She’s just really young.” I shake my head and look up at the night sky, suddenly wanting to go home, to sit in the dark and watch the lights dance on the waters of the harbour.

I don’t think I have ever been that young.

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art + design, Inspirations

Zim and Zou

Special font created for Easter (‘Pâques’ = French) by the duo Zim and Zou for the BNP. Delighted by the fun and evidence of real play in these letters, so different from their virtuosity in paper, which is the medium I know them for.

One sentence, the very last in their brief description of the project, says it all: “The font was handmade with plasticine.” So here’s what you can really do with ordinary modelling plasticine. No? Okay, so here’s what creative geniuses like  Zim and Zou can do with ordinary modelling plasticine, then!

via Zim and Zou on Behance.net

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art + design, philosophy

veiled window

“When you let go of your desire for the painting, as a result of despair or a need to feel liberated, you allow the work to find its own voice….The paralysing spell is broken and you are off again, discovering your subject through painting.”

—Emily Ball, Drawing and Painting People

“When you let g…

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aboard the M/V sonofagun, art + design, bookbinding, Inspirations, stuff i've made

Five beasts a week…

Tengu

“There is a kind of lazy pleasure in useless and out-of-the-way erudition.”

Jorge Luis Borges, from The Book of Imaginary Beings

A-lan

Kris is posting photos on his blog of each and every one of the hand-illustrated mythical beasts in his unique and personal bestiary, Teratologus.

I’m glad he’s finally doing this…there are over 200 beasts in it, and he has painted or drawn them all, as well as compiled as much information as he could about them (and not just from the internet, which is full of incredibly misleading, misinformed, copy-and-paste-from-each-other style research!) Because of the impossibility of reproducing this book with its full-color pages, it can only ever be shared this way. At least a few more people get to see these illustrations…until now it’s been a kind of household treasure that only a handful of friends have ever had the chance to browse.

It was a labor of love for him for at least 15 years…something that he did out of passion, with no other motives or promise of any sort of reward beyond the old-fashioned joys of research and scholarship, and the pleasure of imagining and illustrating each character.

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art + design, embroidery and textiles, Inspirations, made with paper, stuff i've made

Why can’t E-day be V-day?

embroidered pop-up valentine
There’s a wonderful chain reaction that happens when something beautiful that someone else has created and shared sets off a string of your own creative sparks. Mini-eco’s pixel heart pop-up sort of did that for me, yesterday. After making the wood-burned valentine card, I had the idea of using embroidery on the same design, so I made this card next.

I cut and scored the card like before, but before popping it up I used a pencil to draw the design (including a small grid of lines in the center for the cross-stitched part…the squares aren’t very regular or precise, but who cares? Not me. :) ) Then I used a bookbinding awl to punch the needle holes, and stitched the design up with 3 strands of DMC stranded embroidery cotton. The whole thing took an hour.
embroidered pop-up valentineSo then I was hooked, right? Because when the gratification is so quick in coming, I can grow an obsession in moments. I got started on a third version of this valentine card (Hey! How about a card where the pop-up has pop-ups?) but didn’t finish because Kris reminded me that I was going to work early the following morning, and I reluctantly put the tools away. But I want to pick up where I left off, this Saturday, and make as many of these versions of Kate’s card as I can think of.

For a mad moment last night, sitting in the dark with my last cigarette before bed, I even wondered “Why can’t Every Day be Valentine’s Day?” and started to think I could make one valentine a day (not just mini-eco’s already much-too-abused pixel heart pop-up design, but all sorts of valentines) for a year, just to see what that might feel like; just to see what focusing on love and friendship everyday for a year—and then sending those 365 love messages out to people—would do.

Life might explode like some amazing hundred-year-rains desert flower. The world might turn over in their dreams, and sigh with love in their sleep. I might get nothing but lazy Facebook messages back: “Hey, Nat, thanks for the heart, soooooo super cute! OMG!” Or nothing at all might happen. Silence. No reaction. Hmm…either way, it’d be an interesting project, no? Maybe the day I get put into a retirement home, that’s what I’ll do for the rest of my time on earth. That and scare children.

Valentine 2005 by Marian Bantjes,

Valentine 2005 by Marian Bantjes,

All of this reminds me of something that the amazing designer, typographer, writer and illustrator Marian Bantjes does on a fairly regular basis. If you aren’t familiar with Bantjes’ work, I highly recommend a visit to her website…this woman is amazing! Her ideas are original and playful…her projects are sometimes wacky, sometimes elegant, but they are always poetic and, in the case of her personal Valentines projects, downright romantic.

I love that she still does a lot of hand-drawn design, lettering, and illustration. I love that there is nothing on the planet that she will not explore in a playful way to create something beautiful and striking (her pixel patterns made with sugar cubes for Stefan Sagmeister, for example.) I love that she only does work that she loves, now…

“She started working as a book typesetter in 1984 and opened her own design firm in 1994 employing up to 12 people. In 2003, she left all of that behind to begin an experiment in following love instead of money, by doing work that was highly personal, obsessive and sometimes just plain weird…”

This is a sample of the 150 hand-drawn Valentines she made in 2007; since then Bantjes has transformed Valentine’s Day into her very own ritualistic way of using her design skills to connect with the people in her life. Her Valentines 2008, Valentines 2009, Valentines 2010, Valentines 2011, and Valentines 2012 are each worth a look. My personal favorite is 2009′s 4 fragments of love letters, in beautiful handwritten calligraphy, that start and end in the middle of a really romantic, loving message…the sort of passionate writing that anyone would want to receive, really…and Bantjes’ recipients will probably spend the rest of their lives sighing over the missing beginning and end parts of the ‘love letter’.

“150 Valentines” by Marian Bantjes, 2007. Pen and ink hand-drawn designs.

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art + design, Inspirations

Major art crush : : Fiona Rae

We go in search of our Dream…..  oil and acrylic on canvas, 2007 84 x 69 in / 213.4 x 175.3 cm © Fiona Rae

We go in search of our Dream….. oil and acrylic on canvas, 2007 84 x 69 in / 213.4 x 175.3 cm © Fiona Rae

Young British Artist Fiona Rae. She takes my breath away…her use of color, the varied tones and forms in her paintings, they are totally unexpected, surprising, and yet absolutely seductive.

She’s got such a lovely personality, too…seems both very honest and very sweet. Guileless, I’m tempted to say…at peace with what she does, and she obviously has fun creating her paintings, too (rather unlike the leathery, hawkish, postured and somewhat malevolent figure of art critic Rachel Spence—get that maybe-I’ll-get-lucky neckline—in the second video… ;) )

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art + design, blogs and sites, Inspirations, life, my friends, philosophy

via Ordinary Meditations: New Year Restart Meditation

Powder Blue Rainbow by Chati Coronel, 2012. From her SkinSkin exhibition.

I thought I would maybe start writing a post, now and then, about some of my friends. Hopefully they won’t mind!

My friends. You would like them. They are artists, directors, writers, art therapists, graphic designers, journalists, travelers, extreme sports enthusiasts, singer/songwriters, filmmakers, dancers, actors, playwrights, social workers, doctors, musicians…and they are all visionaries, aces in their fields, risk-takers and question-askers, ecstatic poets, seers and mystics. I feel extremely lucky to know these amazing, fiercely individual people.

There were nights, years ago and in Manila, when we would all manage to turn up at one place together: the energy, the vitality in the room would be a palpable force. Many a time, at these magical events, a quiet mood would settle over me and I would sit back from the conversation, look around the room at the faces of my friends, and be aware that I was witnessing one of the happiest moments of my life. At the time, I was convinced that the sheer concentration of vision, talent, quality and character gathered there would, most certainly, change the world…how could it not? I also knew that we would find it harder and harder to come together as we got older…that we would scatter, that we would each go off alone (or go in pairs) and grapple with the narrowed-down parcel of life before us.

Of all the things I had to leave behind when I moved to Australia, the nearness of my friends is what I most deeply miss and feel the loss of.

In all my group of friends, I am the underachiever. No, really, I’m not kidding and I’m not being self-effacing.


Chati

Artist Chati Coronel on saatchionline.com

“Soft human, open heart, mind on fire, walks with tender feet on the earth, laughing.”
Chati describes herself.

Chati is a painter. A fantastic one. She is also a living doorway into stillness, mindfulness, cosmic harmony. She radiates joy, she treads the razor’s edge of the present moment, and being near her puts all your mind’s chattering, falseness and discontent to rest (and yet she is not some naive and prudish saint…her works are sensual; they revel in being alive, in womanhood, in wildness, in playfulness).

She also keeps a quiet, luminous blog, Ordinary Meditations, about her “quest for everyday enlightenment.”

The reason I wanted to introduce you to Chati, actually, is that she’s written a lovely end-of-the-year post about how she and Edber prepare for the New Year. She has, since publishing this post a couple of days ago, gone completely offline, as they begin a process of mind, body, and spirit cleansing, meditating, reflecting, and space clearing—of both physical objects and “old affirmations, old dreams, old goals. Melt away old pains, old issues with breaths. Go to zero.” I thought I’d share her post with you, in case you wanted your New Year’s rituals to amount to a little bit more than noise-making and a hangover on the first day of 2013.

Via Ordinary Meditations: New Year Restart Meditation.

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