amazing people, Inspirations, music + film, my friends

Sea pangs

An old friend dropped in on the Sonofagun yesterday. We haven’t seen Warwick Hill for years…and learned that he’s been very busy, living a very adventurous, high-energy life, and that he and his partner, TJ, have been filming all their experiences at sea. I’ve just watched the DVD of their latest documentary, No Fixed Address, this morning. Twice in a row. I loved it. Going to get a few copies, now, for other friends who live on boats and dream of sailing after a life of adventure and freedom and beautiful coastlines.

The following two videos are just short teasers, covering two separate adventures that Warwick, TJ, and their Indonesian-built perahu, Oelin, had…but they’ll give you an idea of what the full-length documentary is like:

No Fixed Address is available from Warwick and TJ’s website, www.oelin.com, either as a DVD or an mp4 download.

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amazing people, Inspirations, uber embroiderers

über embroiderers : : Maricor/Maricar

I’m trying to keep up a sort of regular ‘feature’ on über embroiderers on The Smallest Forest: These are the big kids, the crème de la crème, the leet of needle and thread…that runts like me long to play with, but will never even exist in the same universe with…

Not necessarily technical virtuosos or professional embroiderers, but artists who do strange, new and wonderfully unusual things with embroidery…creativity, concept, media, message. Just…different, somehow.

✂ – – – ✂ – – – ✂ – – – ✂

Maricor / Maricar have done it again. Hong Kong Airport commissioned them to do billboard graphics celebrating the food of the world. The word “Delicious” is spelled out in different languages, the letters made up of images of the foods from that particular region.

The über embroiderers designed these whimsical letter forms in various alphabets, and then stitched them up beautifully. The colors and clever play between images of yummy things and letter forms is a real treat for the senses. Impeccable work, as usual, ladies!

✂ – – – ✂ – – – ✂ – – – ✂


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amazing people, Inspirations, music + film

Art.

Never trust a spiritual leader who doesn’t dance.
—Miyagi

A beautiful, living art form and self-expression. I am particularly fascinated because it’s not something I can do or know anything about. I dance, but gravity still calls the shots. This…well, this is different. This is poetry. Exploring the limits of the body’s imagination. Playfully simulating the glitches and electronic distortions of video and music. A body of water, movements like oil. The dancer is Marquese Scott.

Try to see past the music, if it jars you (though I happen to love dubstep). This is a portrait of passion.

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art + design, blogs and sites, Inspirations, life, my friends, philosophy

via Ordinary Meditations: New Year Restart Meditation

Powder Blue Rainbow by Chati Coronel, 2012. From her SkinSkin exhibition.

I thought I would maybe start writing a post, now and then, about some of my friends. Hopefully they won’t mind!

My friends. You would like them. They are artists, directors, writers, art therapists, graphic designers, journalists, travelers, extreme sports enthusiasts, singer/songwriters, filmmakers, dancers, actors, playwrights, social workers, doctors, musicians…and they are all visionaries, aces in their fields, risk-takers and question-askers, ecstatic poets, seers and mystics. I feel extremely lucky to know these amazing, fiercely individual people.

There were nights, years ago and in Manila, when we would all manage to turn up at one place together: the energy, the vitality in the room would be a palpable force. Many a time, at these magical events, a quiet mood would settle over me and I would sit back from the conversation, look around the room at the faces of my friends, and be aware that I was witnessing one of the happiest moments of my life. At the time, I was convinced that the sheer concentration of vision, talent, quality and character gathered there would, most certainly, change the world…how could it not? I also knew that we would find it harder and harder to come together as we got older…that we would scatter, that we would each go off alone (or go in pairs) and grapple with the narrowed-down parcel of life before us.

Of all the things I had to leave behind when I moved to Australia, the nearness of my friends is what I most deeply miss and feel the loss of.

In all my group of friends, I am the underachiever. No, really, I’m not kidding and I’m not being self-effacing.


Chati

Artist Chati Coronel on saatchionline.com

“Soft human, open heart, mind on fire, walks with tender feet on the earth, laughing.”
Chati describes herself.

Chati is a painter. A fantastic one. She is also a living doorway into stillness, mindfulness, cosmic harmony. She radiates joy, she treads the razor’s edge of the present moment, and being near her puts all your mind’s chattering, falseness and discontent to rest (and yet she is not some naive and prudish saint…her works are sensual; they revel in being alive, in womanhood, in wildness, in playfulness).

She also keeps a quiet, luminous blog, Ordinary Meditations, about her “quest for everyday enlightenment.”

The reason I wanted to introduce you to Chati, actually, is that she’s written a lovely end-of-the-year post about how she and Edber prepare for the New Year. She has, since publishing this post a couple of days ago, gone completely offline, as they begin a process of mind, body, and spirit cleansing, meditating, reflecting, and space clearing—of both physical objects and “old affirmations, old dreams, old goals. Melt away old pains, old issues with breaths. Go to zero.” I thought I’d share her post with you, in case you wanted your New Year’s rituals to amount to a little bit more than noise-making and a hangover on the first day of 2013.

Via Ordinary Meditations: New Year Restart Meditation.

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amazing people, books + poetry, Inspirations, life, philosophy, travel

A hippie Christmas in India : : an excerpt from Kris’ latest book

Victoria terminus in mumbai

Victoria terminus in mumbai (Photo credit: Sofi Lundin)

Kris still hasn’t arrived from Bali, and it’s starting to look like I’ll be spending my holiday break alone on this boat: embroidering, folding origami and doing other Batty Old Lady things. I miss him; as I’ve mentioned before, it doesn’t matter how often he’s away, I never get used to it. ‘Pining’ is the word that comes to mind. I often scold myself for “putting all my eggs in one basket”, so to speak; Kris is my best friend, my most-esteemed colleague, my best teacher (and also my best student), my Belovéd, my mentor, my role-model, my solace, okay, you get the picture… :D

Where was I going with this? He’s written a fourth book, Out of Census—about his years as a student in Prague, how he ran away from Communist Czechoslovakia, and his years as a wanderer through Europe and the Indian subcontinent—and I was re-reading it tonight (it makes me feel close to him to read stories from his life, written in the same slightly-off Eastern-European English that he normally speaks with. This is my personal favorite of all his books.)

This story takes place in India in the late 70s, around Christmastime and the New Year, which I thought apt…although it isn’t a Christmas story, please be warned! It’s bleak, and very alien to what we think of as Christmastime stories…but, like all of Kris’s accounts of his life, it makes me think, it inspires me to be less afraid and to take more risks, and it opens my mind up just a little bit more.


Bedlam spread into the lofty Victoria Terminal. Whole families were living on the floor of the waiting platforms….In a quiet corner I saw a man lying on the floor by himself, fully dressed in filthy European jeans-jacket and long pants, the soles of his bare feet black as a bitumen road. As I looked at him, the destitute beggar turned over and I saw his face; he was a young, white hippie…pale, with sunken eyes the color of wilted lemons, protruding cheekbones, evidently gravely ill, abandoned by his friends, and he was sheltering from the sun and crowds on the station. With a groan he passed out, exhausted by the move. I shivered.

I wasn’t feeling well, myself. And it wasn’t the usual gastro discomfort. You get used to intestinal problems in India. Old hands ignore them, pointing out that even such luminaries as Mahatma Gandhi lived their entire lives with chronic dysentery that never improved, in spite of diets and medical attention. “Three solid shits in two years in India is good going,” we used to say. This time I had caught something more serious. I was getting weaker by the day, I had to sit down to rest every half hour; I had lost my appetite altogether. I was pissing dark brown urine, no matter how much liquid I drank…

I made it back to the hotel and went straight to bed. I was running a high fever and I was sure that I was crook as Hell. In the morning, the German girl that I had been traveling with looked into my face and her jaw dropped. “Have you looked into your eyes?” she asked. Wearily I turned my face to a little hand-mirror hanging from a nail over the washing basin. My face shocked me. Cadaverous eyes stared back at me, feverish, and instead of the usual red fever tinge they were deep yellow. The penny dropped as I reviewed my symptoms. I had hepatitis. I reached for my liver and yelped in pain. It was swollen sticking out from my side under the ribs, tender and painful. No wonder I was off food, weak as a fly, pissing blood. My liver was shot….

Generally, I am fairly resistant; my stomach is strong, but I am prone to attacks of malaria and other mosquito-borne diseases. Hep was another matter. It was a serious blow, as there was no cure for it. There still isn’t. Several dozen known causes can lead to hepatitis, which is the generic name for inflammation of the liver, but there is no medicine to combat it directly. You can strengthen your body’s immune system as it is fighting, but you have to wait, two to six weeks, until it conquers the invasion by itself.

Our gang panicked; hep was a major scarecrow on the road. Within an hour I was alone. Fools. I had been spreading germs amongst them for days, as my disease incubated, before the symptoms became manifest. It was too late to run, now. What’s more, many strains of hepatitis are not directly contagious…not by simple contact or by sharing food.

This desertion by friends hurt. We had traveled together since Quetta…we were a gang. I had known some of them since Istanbul. I did not blame them—we did not know much about hepatitis—but I resolved not to travel with Germans again.

Picking up my backpack, I focused my fuzzy mind on one task: I had to get out of Bombay, or I would die like a beggar I had seen on the street, the previous day. A picture of the unfortunate hippie in the filthy jeans jacket, lying on the platform, also danced in front of my eyes…

I dragged myself down the street, bound for the railway station. Every fifty meters I had to stop and sit down. The only place to sit down was in the dirt of the pavement. Each time, I collapsed amid the rubbish, rat shit, and sweepings of the street. Even the homeless who lined the street averted their eyes when I encroached upon their domain. One insistent tune occupied my mind like a mantra…the first two lines of a Simon and Garfunkel song: “Are you going to Scarborough Fair? Parsley, sage, rosemary and thyme…” I only knew those two lines, and I kept stubbornly repeating them, humming them in defiance as I focused on reaching the Victoria Terminal. It wasn’t a song, anymore; it was a chant of determination. I was telling myself “I am gonna make it, I will pull through.”

Three years later I heard Simon and Garfunkel sing Scarborough Fair, live on the stage, in Wellington, New Zealand, and I wept without shame—all the crushing emotions of being alone and ill in Bombay sweeping back over me….

I did get to the station without help, and I bought a second class ticket to Madras. Still humming Scarborough Fair through clenched teeth, I boarded the train. I was powerless to argue about seats. The weak and ill have no chance of negotiating in India. I could not care less about the world around me. I took down the bags and suitcases that other passengers had stuffed into the overhead luggage rack and, with effort, crawled up there, myself—stretching in the netting, stowing my own bag under my head—just like a rough bivouac in a hammock on a rock wall. One passenger got up to complain about my behaviour. I stared in silence down into his raving face, and when he stopped for a breath I opened my eyes with my fingers to show him the yellow color, and I whispered: “I have hepatitis. And I do not give a damn.” That shut him up.

It was Christmas Day. My first Christmas away from Europe, and I spent it curled up in an overhead luggage rack on the Madras Express, for the entire 36-hour trip….By the time I slid down the two steps to the platform in Madurai, I knew that I had broken the sickness’ back, and my body was on its way to recovery.

…I took a small clean room on the ground floor of a pension around the corner from the main temple, and I settled in to wait until I felt better. Christmas I had spent curled up like a used paper bag in a luggage rack on a train. On New Year’s Eve I felt strong enough to venture into the streets, to celebrate. Indian street life continues vigorously into the late hours…not as revelry, but as ordinary activity in the cool evenings. On the last day of the year there was nothing to distinguish it from any other day. By midnight everyone was asleep, streets were dead, resonating to the snores of the homeless bedded on the pavement. Indians do not celebrate the same New Year that we do. Nobody took any notice, nobody lit fireworks, nobody cared. The central government in Delhi ran its affairs by Western calendar, but both main religions, Hinduism and Islam, counted time in their own ways, aligned with the moon.

New Year in Madurai awakened me to the fact that even basic preconceptions that we assume to be universal do not reach past Istanbul. White man, in his cultural arrogance, because he doesn’t know any other way of looking at things, thinks everyone else in the world agrees with his point of view. Sitting on the pavement that night, reflecting on the different calendars that people use today, I came to realise that what we think of as the world, or the world that counts—this essentially white, Western, Christian world view—is a minority opinion, if you take the earth’s population as a whole. Hindus…the Chinese…one billion Muslims…just these three blocks comprise more than half the world’s population. Then come smaller groups, like the Japanese, who still count years from the ascension  of the current emperor, and who only celebrate Christmas Day because it happens to be the birthday of their Emperor. Add countless smaller groups who all have their distinct ways of looking at the world, and then tell me: What makes us think that the way we see things is the world norm?

We need to be reminded that the world is a much wider place than what our teachers depicted at school, and that in many places our domineering culture is seen as invasive, immature, barbarian, and not up to the standard. Happy New Year, man.

—text excerpts from Out of Census by Kristian Larsen, 2012. All rights reserved.


I’ve been told that you have never really been to a place until you have been seriously ill there. I also know that there are few things as miserable as getting sick in a strange place..having to find your way to local doctors or pharmacies, having to explain what’s wrong or what’s needed through the language barrier, and having to look after yourself because nobody else is going to do that for you. It’s a very lonely feeling. But if you pull through, something about your relationship with that place is changed. You have been tested, and triumphed. The unfamiliar surroundings hold little terror or fear for you, after the ordeal, and, strangely enough, you feel as though you finally fit in…belong there, just a bit more. A price has been paid, a part of you has been taken, and the place cracks open like a nut, in return.

Often, the only way out of the terror is through the terror. Have you ever taken that path? It can be an amazing experience, and no words can describe the personal power and strength that washes over you when you emerge on the other side.

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aboard the M/V sonofagun, made with paper, my friends, stuff i've made

Doing some Very Important Paperwork

Terribly busy doing paperwork today...

My to-do list tells me that I’ve got quite a bit of paperwork and computer stuff to do today, because tomorrow is the last day that anything—banks, post offices, libraries, printers—will be open. I really should try and get things sorted here, before I head to town tomorrow morning and dispatch everything.

Of course I put all those jobs off, because I bought a pack of origami paper from work last Saturday, and wanted to make something. Heh. It’s still paperwork, no?

Beginner’s origami never did interest me (though, let’s face it, I am nothing if not a beginner!) I don’t think I have ever made a boat, frog, cup, or any of those simple designs. Even as a kid, they didn’t excite me. I’m too impatient to do all that preparatory work for results that are less than spectacular, LOL. I was the same with piano lessons. After a few months of scales, I told my teacher that I didn’t want to progress slowly through the exercise books, playing Twinkle, Twinkle, Little Star (and I don’t care that Mozart composed it,) I didn’t have much time left on the planet, there were other things to do, so would she please cut the crap and just teach me  the three pieces that made me want to learn piano in the first place? Beethoven’s Piano Sonata No. 14 in C-sharp minor “Quasi una fantasia”, Op. 27, No. 2, Rimsky-Korsakov’s Song of India, and Debussy’s Reverie, in case you were wondering. And then we could be done with piano lessons. She did. And so we were. They’re still the only pieces I can play, although I can read notes…slowly, like a snail crawling around on a keyboard.

In the same vein, the only origami worth learning to do, I have always believed, is Super-Cute-and-Awesome Origami. The origami black cat, pictured here, fits into that category, as far as I’m concerned. The yellow one, not so much, I made him first because the drawing on the website looked promising…but it’s not expressive enough, and not as 3-dimensional as the black one, whom I’ve named Footsie.

Instructions for making Footsie came from this wonderful origami resource site.

This is the second cool origami cat I’ve ever made, and the third piece of origami I’ve done in my life (I don’t count the 500 fabric origami cranes I made for a project two years ago…that was like folding boxes at the Acme Box Factory: boooooring!). The first origami piece I tackled was a snail, with one of those puffy blow-open shells. With no previous experience, and no knowledge of the basics, it nearly did my head in. But I got it, eventually.

And that confirmed something I’ve secretly believed since childhood…with brute force, stubborn determination, and an almost heaven-annointed ignorance, you can sprint past all the foundational boring stuff, and never have to do anything but the really cool shit. :D This is why I won’t ever have kids…I would end up raising mercenaries.

Terribly busy doing paperwork today...

By the way, included in this photograph are two Christmas presents I’ve recently received. Even though we do not do Christmas, my friends celebrate it, and I give them stuff around this time of the year, because they give me stuff. The New Year means a lot to me, anyway, and so I celebrate that: “Begin. Keep on beginning.” I must say I am really loving both these presents to bits! On the left, a skull matryoshka doll illustration, in a glorious gold frame, from She-Who-Never-Ceases-To-Amaze-Me, Emily Hearn. And the quantity of fabric just right of that (also, below, sorry it’s such a small photo from the Ikea website) is a great big piece of Tidny fabric from Miss Bean…

It’s like a coloring book, but on good, heavy fabric instead of paper. She said to me, “I want to see what you’ll do with it.” Well. Okay, put like that…prepare to be amazed, Christine, because I am a show-off.

What would YOU do with it? Looks like I’ll be stitching over the holiday break…whee! Fun!

Hey, a very Happy Festivus-for-the-rest-of-us, and a Glorious New Year, you guys. :)

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amazing people, Darwin, Australia, Inspirations, life

my new workplace!

Jackson's Drawing Supplies

I mentioned in a past post that I have a new job. The WONDERFUL news is that I work at Jackson’s Drawing Supplies in Parap! Woot!

I’ve been coming to Jackson’s for years (there’s nowhere else for an artist to go, really, in this small city) for paints, calligraphy nibs, brushes, silkscreen inks, colored pencils, and papers of every description. Every time I set foot in the shop I would think to myself, “I would love to work here!” My friends were behind the sales counter, and during their lunch breaks you would find them working on their paintings, lino prints, or ceramics in the back of the shop, the air charged with creative mojo and fun.  The place was an Aladdin’s Cave of yummy art stuff, coveted tools, and major wishlist items like etching presses and large easels. Seven years later, I can’t believe I’m calling this art supplies fairyland “my job”, nor what I do, “work”! It’s just too wonderful, and on the days that I get to come here I jump out of bed with all the cheerful willingness of a 5-year-old going to a birthday party…and there’s going to be ice-cream, and a real unicorn giving rides.

Jackson's Drawing Supplies

Where to begin?!? It’s crammed with art supplies, tools, materials for printmaking, painting, silkscreen, ceramics, calligraphy, illustration and drawing, craft, technical drawing, paper craft, bookbinding…almost anything having to do with creativity and the visual arts.  Staff pay wholesale prices for everything (knowledge which made me hyperventilate on the spot).

“Great,” Kris commented, his face crinkling into a big smile when I told him I’d got the job. “You’ll never bring another dollar home again, and the boat will sink under the weight of art supplies.”

But my logic is impeccable: “My love, I already spend half my income at Jackson’s…I may as well go the whole hog and get a staff discount!”

Jackson's Drawing Supplies
The other staff members are friends, and amazing artists with whom I’ve exhibited before: Ingrid Gersmanis and Kate Fernyhough were in the Goddesses of Small Things Show…

Jackson's Drawing Supplies

as was Marita Albers, who has just left Darwin, and used to work here; in fact, it’s her job I’ve stepped in to do, now that she’s gone. It would have been magic to work here with her, but I guess you can’t have everything. I owe this happy change in my life to her going, so the elation is not without a pang of regret. I hope she and Ginger, likewise, have even bigger and better adventures,  find themselves an Aladdin’s Cave of humongous proportions, rivers of glitter and sequins, zero-gravity trampolines, and frizzle chickens that croon Elvis songs.

Polish Frizzle Chicken

The shop’s big front windows are the most amazing in Darwin. The fabulous hand-cut paper filigree of flowers, birds and trees was made by Emily Hearn, another ex-Jackson’s character, Darwin artist, and ‘firework-in-the-shape-of-a-woman’ friend. Everyone who steps into Jackson’s for the first time comments on the work and creativity evinced by those windows.

Jackson's Drawing Supplies

Folks I haven’t seen in years walk into Jackson’s throughout the day (because they don’t buy salads, but they sure as hell buy art materials!) Lea came in on Friday…last I saw her, her hair was blue. It was great to see her again, and we might catch up for coffee next week. Half the people coming through the doors are good friends or bookbinding students. It’s lovely to wear a genuine smile of delight on your face the whole day. I feel like the host of a party, greeting guests at the door.
Jackson's Drawing Supplies
It’s air-conditioned (a welcome change, after four years in the shimmering heat of a small, non-air-conditioned kitchen!), there are two tea breaks, and lunch break is an hour long (I don’t know what to do with all this break time…bring in a canvas, I guess, and get busy with art!)
Ginger Flower stall

Also, the shop is located in Parap Village…nestled among some wonderful little boutiques; not one, but three, top-notch coffee shops, there is a good Mexican restaurant, and a great Indian restaurant, the best-stocked delicatessen in this city (Parap Fine Foods), and three or four contemporary art galleries. These are all ranged around a raised central courtyard, village-green-style, and the energy in the place feels so good, so positive. Every Saturday, the central courtyard fills with street food and craft stalls, and the place mills with locals and tourists, alike, come for their weekly laksas, shopping for clothes and jewelry, catching up with friends, and selecting a big bunch of ginger flowers to take home for the weekend. Kris comes every Saturday to the Parap Market, for his fresh banana smoothie fix and to buy me two or three ginger flowers. Our friends Mandy and Henning run the thriving Ginger Flower stall, and these days I often stop with Mandy for a cigarette and some gossip, before heading in to Jackson’s.

Hennings Ginger Flower stall

Just when it didn’t seem possible for things to get any better than they already were (I have been happy, at Simply Foods, despite the heat and the tiredness…the people are kind, and I was good at my job) Life has catapulted me into a waking dream. This is my dream job…art at my fingertips, surrounded by friends, in a beautiful part of the city. My work schedule is still just three days a week (the way I like it!) and I bump into beauty  more often. Pushing my bicycle through the emptying Parap park on a Saturday after work, Henning often calls me over and puts a big bunch of unsold, impossibly-pink ginger flowers in my arms, telling me “It breaks my heart to throw the unsold ones away, it’s better you should take them home with you.”

With my hand over my heart, I give thanks.

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