blogs and sites, Inspirations, music + film

Dancing for Yourself via New Art

“Awesome, isn’t it?
Dancing for yourself is the best, and we all (?) know the feeling of something that is so good it should really be changing the world….

Now that we’ve gotten this far, you need to know something: this event was staged. The person dancing is a performer, and what you have just seen is an art project.”

Provoking thoughts about experience and performance, art and self, the public, the commodity, and the private, the everyday, the contrivance, and the sublime. This is the latest post from New Art, who does not write often, but is always worth checking out when he does.

Discuss with your favorite dance partner, or with a reflection of yourself in some large mirror.

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Darwin, Australia, travel

Rock art :: Kris goes walkabout

a pile of human bones

Kris left home last Monday to walk and hitchhike his way to some river-and-sandstone country, 600 kms. from Darwin. Rocky climbing terrain, he decided to leave his bicycle behind, this time, or he’d end up carrying it on his shoulder for most of the way.

He traveled light…a jerrycan of water, a loaf of bread, a sleeping bag, a small Canon powershot. This let him walk further into the area than if he had a heap of gear, and transportation, with him, and he found this large cave, 50 meters long, dry and well-ventilated, flooded with sunlight, and full of ancient Aboriginal rock art paintings. Some natural disaster (locals say ball lightning) had wiped out the clan that lived here, and after that the place was abandoned by those people. The bones of the ones who died there are still spread over a square patch of ground at the cave’s entrance, although they have been picked over by the odd explorer, and the ‘good bits’ like skulls and tools are gone.

Kris estimates that the last time people lived in the cave was about 200 years ago. More pictures, as well as descriptions of the cave, are on his blog.

little man with parachute?

prime real estate...floor to ceiling windows

Rock art.

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art + design, Exhibits

Constellations

Don Whytes Off Cuts
Last night’s show was the usual chaos of a room crammed with hundreds of people, all standing up close to the walls where the paintings hung, jostling and craning to look over each others’ shoulders at the 100+ works.

By the time Kris and I got there, our four paintings had sold. Goodbye, my bland, strangely asexual “Dresden Doll”. Go and spread naughty magic, “Priestess of Cernunnos”.

I don’t know that the world is any better for those two being in it…two more mediocre things to add to the Taoist pool of “ten thousand things”. Sometimes I think that 95% of all making, of all our creations, all our so-called ‘works of art’ or design or craft, are just tarted-up, respectable versions of grafitti. Another big scrawly tag on the wall, another pathetic “I was here! Remember me!”

To what end? Most people cannot, off the bat, name their 8 great-grandparents. One really wonders, sometimes, what it’s all about…this compulsion to leave marks behind, to lodge some part of ourselves in someone else’s memory of the past. Which doesn’t actually exist, except in our unreliable minds.

Dresden Doll, as she was sent off

I took one photo, after half the crowd had left and more of the wall could be seen from across the room. There were only three ‘nudes’ in the show. Two of which were mine. Someone said to me, “That one (The Priestess of Cernunnos) might be a little too risqué for Darwin…” The hypocrisy of Western society never fails to stump me. It thinks about sex all the time, uses it to sell anything and everything, leads the way in sexually-charged fashion, film, publications, is obsessed with it, but pretends to be squeamish at the same time. Much is made of the Priestess’ pubic hair, which I painted as the face of a satyr. A conversation follows about salons that now offer pubic styling, including one style where they remove all hair, and stick sparkling diamanté patterns on the skin.

I ducked outside to have a smoke in the parking lot. There were some men from the show there, and a young girl in a tiny little party dress sitting on the ground. Too much to drink, and she wore a pair of ridiculously high-heeled, diamanté shoes. She nearly fell over trying to stand up, and someone asked if she was okay. Thrilled, I suppose, to be at one of her first “art gigs”, and surrounded by some older men, she explained that she was just sitting down because her shoes were killing her, but “weren’t they fabulous? They were hard to wear, but gorgeous shoes, and super blingy.” Fashion victim…guess she got tired of waiting for someone to compliment her on her shoes, she decided to initiate the discussion. She went on to talk about her shoes, modelling them for us at the same time.

Attention from the others shut down with almost audible snaps, like a row of deadbolts on a shed door. I turned to the guy next to me and asked him if he had any work in the show. Yeah, he had a couple. “Oh, did you paint the naked women?” says Miss Bling, who tries to segue into talking art when her shoe talk falls on deaf ears.

“I did those,” I say. “Oh, really? WOW! Do you want a NUDE MODEL?” I try not to look at her shoes and think of her pubic region covered in the same bling, while the men around me make strangled noises in their throats. A friend, who doesn’t paint, murmurs that he should take up painting. I imagine her, young and silly as she is, pulling a series of hackneyed, unimaginative boudoir or celebrity poses that she’s seen in magazines or porn flicks, making smouldering hot “fuck me” looks to go with them, and become depressed. “You’re talking to the wrong person,” I smile, “I’m really not very good at life drawing…” and tell her that there’s a place on the other side of town that does live drawing sessions, she should go and see them, they probably pay quite well for a couple of hours of modelling.

She excuses herself after a while (probably decided we were a boring bunch of old farts, which we were) and someone says, “She’ll get better. She’s just really young.” I shake my head and look up at the night sky, suddenly wanting to go home, to sit in the dark and watch the lights dance on the waters of the harbour.

I don’t think I have ever been that young.

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amazing people, Inspirations, music + film, my friends

Sea pangs

An old friend dropped in on the Sonofagun yesterday. We haven’t seen Warwick Hill for years…and learned that he’s been very busy, living a very adventurous, high-energy life, and that he and his partner, TJ, have been filming all their experiences at sea. I’ve just watched the DVD of their latest documentary, No Fixed Address, this morning. Twice in a row. I loved it. Going to get a few copies, now, for other friends who live on boats and dream of sailing after a life of adventure and freedom and beautiful coastlines.

The following two videos are just short teasers, covering two separate adventures that Warwick, TJ, and their Indonesian-built perahu, Oelin, had…but they’ll give you an idea of what the full-length documentary is like:

No Fixed Address is available from Warwick and TJ’s website, www.oelin.com, either as a DVD or an mp4 download.

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amazing people, Inspirations, uber embroiderers

über embroiderers : : Maricor/Maricar

I’m trying to keep up a sort of regular ‘feature’ on über embroiderers on The Smallest Forest: These are the big kids, the crème de la crème, the leet of needle and thread…that runts like me long to play with, but will never even exist in the same universe with…

Not necessarily technical virtuosos or professional embroiderers, but artists who do strange, new and wonderfully unusual things with embroidery…creativity, concept, media, message. Just…different, somehow.

✂ – – – ✂ – – – ✂ – – – ✂

Maricor / Maricar have done it again. Hong Kong Airport commissioned them to do billboard graphics celebrating the food of the world. The word “Delicious” is spelled out in different languages, the letters made up of images of the foods from that particular region.

The über embroiderers designed these whimsical letter forms in various alphabets, and then stitched them up beautifully. The colors and clever play between images of yummy things and letter forms is a real treat for the senses. Impeccable work, as usual, ladies!

✂ – – – ✂ – – – ✂ – – – ✂


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art + design, Inspirations

Zim and Zou

Special font created for Easter (‘Pâques’ = French) by the duo Zim and Zou for the BNP. Delighted by the fun and evidence of real play in these letters, so different from their virtuosity in paper, which is the medium I know them for.

One sentence, the very last in their brief description of the project, says it all: “The font was handmade with plasticine.” So here’s what you can really do with ordinary modelling plasticine. No? Okay, so here’s what creative geniuses like  Zim and Zou can do with ordinary modelling plasticine, then!

via Zim and Zou on Behance.net

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Inspirations, philosophy

❝I consider all…

❝I consider all my story cloths to be self portraits. You might too. Because all meaningful making contains your voice and the voice of the materials you choose. Be sensitive to that. It will make a huge difference in your work.

Story cloth is slow cloth, it takes time to tell a story.❞

—Jude Hill

The quotable Jude Hill. Someone should compile a book. Almost everything she says makes a beautiful quote…something precious, to be cradled in two cupped hands: a small but strong flicker of an idea that applies to all making, all living, and not just to textiles.

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blogs and sites, classes + workshops, Inspirations

Spirit Cloth

DSC_0001
I am doing Jude Hill’s “What If?” textile workshop this year. If you aren’t familiar with Jude Hill, she is the author and maker behind the blog Spirit Cloth.

I have followed Jude’s blog for years and years…drawn to it by the photos of Jude’s powerful, storied textiles (she dyes, weaves, embroiders, and layers bits of raggedy, salvaged, vintage or distressed cloth into works that seem to embody so much more than aesthetics and a set of skills. They aren’t flashy, slick, or neat cloths, and you don’t see many of the gaudy commercial printed fabrics in her pieces. Instead you find these rich, frayed layers of earthy colors, and hand-worked stitches that are more like the sensitive, exploratory marks made when drawing, rather than the frilly, showy, vivid, loud stitches of, say, today’s crazy patchwork creations.

But more than Jude’s works, I am drawn to her words (and to the silences that pool, gathering like moon or morning light, around her words). She seems so earthy, and yet so unaffected by the frantic energies of the world. For me she embodies the archetype of the wise woman who lives in a forest outside of time…there she sits, dyeing her cloths in copper pots, stitching her beasts and her moons and her paths and her stories, watching the seasons change, feeding the stray animals that circle her home (drawn perhaps by her serenity and openness) and taking that Life, and incorporating it, so simply and yet so, so wisely, into her spirit cloths.

On her blog, she doesn’t screech her own ego all the time, doesn’t blow her own trumpet, doesn’t pull stunts to draw attention to herself. There are no blogger awards badges. There are no giveaways or product endorsements. There are no animated GIFs of pulsing hearts (thank God). There are no OMGs or LOLs in her posts. She doesn’t GUSH over every new thing that comes along…she doesn’t squander her love or her language on mere THINGS. Her words are few, and choice, and simple. Unpretentious.

All that. I am drawn to all that like you wouldn’t believe.

So I went to her, this year, at last…perhaps to learn a thing or two about the way she works…but mainly just to be able to sit, as it were, at her feet, like a student, like a disciple, and be very quiet, and listen to her. And hopefully learn a little bit more about how to become such an unaffected, meditative, imperturbable and self-possessed woman…doing my quiet thing, in the forest of my spirit, still in the world but no longer excessively of it.

When the student is ready, the teacher will appear.

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